论丹寨苗族鸟图腾艺术的魅力

Chinese Traditional Culture 国学, 2015, 3(3), 34-39 Published Online September 2015 in Hans.

The Artistic Charm of Bird Totem of Hmong in Danzhai

Jintao Chen, Liling Zhao

Hubei University of Technology, Wuhan Email: Received: Aug. 16, 2015; accepted: Aug. 30, 2015; published: Sep. 2, 2015

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Copyright © 2015 by authors and Hans Publishers Inc. This work is licensed under the Creative Commons Attribution International License (CC BY).

论丹寨苗族鸟图腾艺术的魅力

论丹寨苗族鸟图腾艺术的魅力

论丹寨苗族鸟图腾艺术的魅力

论丹寨苗族鸟图腾艺术的魅力

Abstract Hmong claiming to be “Ganao” in Danzhai is known as the last bird totem Tribe in China, which is a branch of formerly Chinese

论丹寨苗族鸟图腾艺术的魅力

bird totem culture. As a primitive belief, the bird totem has been deeply rooted in the life of Hmong in Danzhai after a long history. Therein, the batik culture, cara-gana culture and cage culture vividly embody the magical art characteristics of bird totem culture, and have a long-lasting effect on the cultural character of Hmong here. Within the enclosure of modern culture, the bird totem culture of Hmong has increasingly demonstrated its unique charm in Danzhai. Keywords

The Origin of Bird Totem, Batik Culture, Caragana Culture, Cage Culture, Inheritable Value

论丹寨苗族鸟图腾艺术的魅力

陈金桃,赵丽玲

湖北工业大学,武汉

Email:

收稿日期:2015年8月16日;录用日期:2015年8月30日;发布日期:2015年9月2日

摘 要

自称为“嘎闹”的丹寨苗族被誉为中国最后的鸟图腾部落,原系中国鸟图腾文化一个支脉。漫长的历史文章引用: 陈金桃, 赵丽玲 (2015) 论丹寨苗族鸟图腾艺术的魅力. 国学, 3, 34-39.

论丹寨苗族鸟图腾艺术的魅力

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