Unit 4 Creativity新编大学英语第二版第四册课文翻译

Unit 4 Creativity

The Case for Creativity—Encouraging Children to Think

Creativity is the key to a brighter future, say education and business experts. Here is how schools and parents can encourage this vital skill in children.

If Dick Drew had listened to his boss in 1925, we might not have a product that we now think of as practically essential: masking tape. Drew worked for the Minnesota Manufacturing and Mining Company, better known as 3M. At work he developed a sticky-side substance strong enough to hold things together. But his boss told him not to pursue the idea. Finally, using his own time, Drew perfected the tape, which now is used everywhere by many people. And his former company learned from its mistake: Now 3M encourages people to spend 15 percent of their work time just thinking and developing new ideas.

It is a strategy that more and more companies are employing and one that experts around the country say we ought to be following with our children, both at home and at school. The feeling is that if we teach them to think creatively, they will be better able to function in tomorrow's society.

Creativity's benefits reach beyond music and art. Successful students and adults are the ones who discover a number of ways to approach problems.

Creativity is not something one is just born with, nor is it necessarily a characteristic of high intelligence. Just because a person is highly intelligent does not mean that he uses it creatively. Creativity is the matter of using the resources one has to produce original ideas that are good for something.

Unfortunately, schools have not tended to promote creativity. With strong emphasis on test scores and the development of reading, writing and mathematical skills, many educators sacrifice creativity for correct answers. The result is that children can give back information but can't recognize ways to apply it to new situations. They may know their multiplication tables, for example, but they are unable to apply them to story problems.

In some schools, however, educators are recognizing the problem and are developing new approaches to teaching which should encourage creativity in their students. Some teachers are combining the basics with activities where the students must use their imagination. For example, instead of simply asking WHEN Columbus discovered the New World, teachers might ask students to think about what would have happened if his trip had taken him to New York first instead of to the Caribbean area. With that question, students would have to use what they know about Columbus, what they know about New

York, and what they know about the Caribbean. Teachers feel that even if the answers seem silly, it's OK, that sometimes being silly is an essential step toward creativity. In the classroom as well as at home, children must have the right to have crazy thoughts, experts say. Then it is up to parents and teachers to work with the children to develop those thoughts into workable ideas. The best strategy is to encourage children by asking them questions, meanwhile praising their ideas and new thoughts. Experts say that it is important to create an atmosphere in which there is no risk in being creative—a place where wild ideas are honored and valued, never scorned or dismissed.

There are things that parents can do at home to encourage creativity. They can involve children in decision-making if the problem is appropriate, asking the child for suggestions. Parents can help their children to understand the consequences of various decisions. Parents should also encourage their children to talk out loud about things they are doing. Thinking and language skills are closely related. Talking out loud improves language skills and thinking skills.

Having a sense of humor is also important in helping to develop creativity in a child. When parents show a sense of humor, children can see creativity in its purest form. By its nature, humor crosses conventional boundaries and breaks patterns. Creativity often does the same.

It is important to give children choices. From the earliest age, children should be allowed to make decisions and understand their consequences. Even if it's choosing between two food items for lunch, decision-making helps thinking skills. As children grow older, parents should let their children decide how to use their time or spend their money, but not automatically help them too much if they make the wrong decision. This may be confusing for the child, but that is all right. This is because one of the most important traits of creative people is a very strong motivation to make order out of confusion.

关于创造力的培养——鼓励孩子思考

1 教育界和商业界的专家们说, 具有创造性是通向光明前程的关键。本文将介绍一下学校和家长如何才能鼓励孩子发展这一至关重要的能力。

2 如果1925年迪克?德鲁听从了他老板的意见，也许我们就不会有遮护胶带这种用品了。现在我们几乎离不开它。德鲁当时就职于“明尼苏达制造和矿业公司”，通常称为3M公司。在工作中，他研制了一种用于胶带有黏性那面的物质，黏性很强，能使物体粘在一起。但是老板却不让他做进一步的研究。最后德鲁只好利用自己的时间改进了这种胶带。这种胶带现已被人们广泛使用。而他原来工作过的3M公司也从自己的失误中吸取了教训：现在该

公司鼓励员工抽出15%的工作时间专门用来开动脑筋搞创新。

3 现在这种策略已被越来越多的公司所采用，而且全国各地的专家认为，对待孩子也应仿效这种做法，无论是在家里还是在学校。他们认为，如果我们教育孩子进行创造性思维，他们就能在明天的社会中更好地发挥作用。

4 受益于创造性的不只限于音乐和艺术领域。能取得成功的学生和成人都是那些会寻求各种办法解决问题的人。

5 创造性并非与生俱来，也不一定就是高智慧的特征。一个人智力高并不意味着他必然能创造性地发挥才智。创造性是指能利用已有的资源想出新点子，而这些点子有助于解决某方面的问题。

6 遗憾的是，学校还没有想到要促使学生发挥创造性。许多教育者十分看重考试分数，强调阅读、写作和数学能力，往往因追求正确的答案而牺牲了对创造性的培养。其结果是，孩子们能够反馈所学的知识，却不知道如何灵活地应用知识。比如，他们可能熟记乘法表，却不会用它来解决数学应用题。

7 然而，在有些学校里，教育者们正逐渐认识到这一问题，并致力于研究能启发学生创造性的新的教学方法。一些教师把基础知识和要求学生发挥想象力的活动结合起来。比如，教师不再简单地问学生哥伦布何时发现了新大陆，他们可能让学生思考如果哥伦布首先到达的不是加勒比地区而是纽约，情况会是如何。要回答这一问题，学生必须应用自己掌握的关于哥伦布、纽约和加勒比地区的知识。教师们认为即便学生的回答会很可笑，也毫无关系，这也许是通向创造性的重要一步。专家认为，在课堂以及在家里，必须允许孩子们有些荒唐的念头。家长和教师们则有责任和孩子共同努力，使那些念头成为切实可行的建议。最好的办法是通过提问来鼓励孩子，同时对他们的想法和新点子表示赞赏。专家认为必须创造一个可以自由发挥创造力的氛围，一个尊重和赞赏而不是鄙视或不理会荒诞想法的环境。

8 在家里，家长可以做一些鼓励孩子发挥创造力的事情。如果遇到合适的问题，家长可以就该问题征求孩子的意见，让他们参与决策。家长可以帮助孩子了解不同的决策将会带来的各种后果。家长还应鼓励孩子大声谈论他们正在做的事情。思维能力和语言能力是紧密相关的。大声地谈论有助于提高语言能力和思维能力。

9 具有幽默感对于开发孩子的创造力也非常重要。当家长表现出幽默时，孩子们就看到了最地道的创造性。从本质上看，幽默跨越了常规界限，打破了固有模式。要创造往往也得如此。

10 给孩子一些选择的余地也很重要。应该允许孩子自己做决定并清楚其后果，要让孩子从尽可能早的年龄开始这样做。做决定有助于培养思维能力，即便只是在午餐的两种食物的选择上做决定也行。随着孩子慢慢长大，家长应让孩子自己做主支配时间或金钱；当他们作出错误的决定时，不要不假思索地给予过多的帮助。这种做法可能会使孩子迷惑不解，但这没有关系。因为富有创造力的人有很强的动力，使他们能够从混乱中创造秩序。这是他们的一个最重要的特点。

A Long March to Creativity (I)

The Jinling Hotel is a comfortable, modern hotel in the heart of Nanjing, a big city in eastern China. My wife Ellen, our year-and-a-half-old son, Benjamin, and I lived there for a month in the spring of 1987 while we were studying arts education in Chinese kindergartens and elementary schools. The key to our room was attached to a large plastic block with the room number printed on it. When leaving the hotel, a guest was encouraged to turn in the key, either by handing it to an attendant or by dropping it through a slot into a container. 1 Because the key slot was narrow and rectangular, the key and the block had to be inserted carefully so as to fit into the slot.

Benjamin loved to carry the key around, shaking it vigorously. He also liked to try to place it into the slot. He would move the key to the vicinity of the slot and then try to push it in. Because of his young age, lack of manual dexterity, and incomplete understanding of the need to orient the key "just so", he would usually fail. Benjamin was not bothered in the least. He loved to bang the key on the slot and probably got as much pleasure out of the sounds it made, and the physical feelings it gave him, as he did those few times when the key actually found its way into the slot.

Now both Ellen and I were perfectly happy to allow Benjamin to bang the key near the key slot. We were usually not in a hurry, he was having a good time, and this "exploratory behavior" seemed harmless enough. But I soon observed an interesting phenomenon. Any Chinese attendant nearby—and sometimes even a mere Chinese passer-by—would come over to watch Benjamin. As soon as the observer saw what our child was doing, and noticed his lack of initial success at the appointed task, she (or, less often, he) attempted to intervene. In general, she would hold onto his hand and, gently but firmly, guide it directly toward the slot, reorient it as necessary, and help Benjamin to insert the key. She would then smile somewhat expectantly at Ellen or me, as if awaiting a thank you—and on occasion, would frown slightly, as if to criticize us as parents.

Unfortunately, even for the sake of Chinese-American friendship, we were not particularly grateful for this intervention. After all, it was not as if Benjamin were running around wildly or without supervision; clearly we were aware of what he was doing and had not ourselves intervened. But it also became clear to us that we were dealing with totally different attitudes about the preferred behavior for children and the proper role of adults in their socialization.

Spending a good deal of time with a baby in China, we had plenty of opportunity to compare Benjamin with Chinese babies and to observe the relationship that generally occurs between adults and young children. Time and again, adults would approach Benjamin, sometimes just to say "Hello" or to play with him (actions encountered the world over), but often with a particular agenda in mind. Sometimes adults would tease Benjamin, pretending to give or to show him something, but then withdrawing the promised reward. More often, these adults would aid Benjamin with some task—retrieving a ball with which he was playing, helping him to sit straight in his seat, fixing his shirttail or his shoes, directing him away from a dangerous spot, or guiding the stroller he was awkwardly pushing around.

It became obvious to us that for some Chinese, babies are "fair game". Some adults (and even adolescents) feel little hesitation about intervening in the child-rearing process. Now it might be thought that Benjamin's appearance—he is Chinese, and we adopted him in Taiwan—encouraged this intervention; but similar intrusive interventions are reported by Westerners whose children do not look the least bit Chinese. It was equally clear that these Chinese agree on what is right or wrong in child rearing; in casual encounters with Benjamin and other Western children, they were exhibiting their shared beliefs.

培养创造性——任重道远（一）

1金陵饭店是一座舒适、现代化的宾馆，位于中国东部大城市南京市的中心。1987年春天我和妻子埃伦及我们一岁半的儿子本杰明曾在那里住了一个月，当时我们在研究中国幼儿园和小学的艺术教育。我们房间的钥匙系在一块大塑料牌上，牌上印有房间号。饭店希望客人在外出时交还钥匙，可以交给服务员或通过一个窄孔把钥匙投进一个盒子里。因为钥匙孔很窄，又是长方形的，所以塞钥匙和钥匙牌时得很小心才能对准那个孔。

2本杰明喜欢拿着钥匙，边走边使劲摇。他也很喜欢把钥匙往钥匙孔里塞。他总是把钥匙拿到钥匙孔附近，就要把它塞进去。可是因为他太小，手不灵活，又不完全理解钥匙要放在“正好”的位置才能插进钥匙孔里，所以，他往往放不进去。但是本杰明一点儿都不烦恼。他喜欢用钥匙砰砰敲打窄孔，也许他从钥匙的撞击声以及敲敲打打给他带来的肢体感受中得到的乐趣，不亚于偶尔有几次把钥匙真的插入窄孔时所给予他的乐趣。

3埃伦和我都很乐意让本杰明拿着钥匙在钥匙孔周围折腾。我们通常都不赶时间，他也玩得很高兴，这种“探索行为”好像也没有什么不好。但是很快我就发现了一个很有趣的现象：任何一位中国服务员——有时甚至只是个过路的中国人——只要是在附近，都会走过来注视着本杰明。一旦这个观察者明白了我们的孩子正在做什么，并注意到他对既定要做的事最初没有成功，她(少数几次是他)就会设法干预。一般来说，她会抓住本杰明的手，轻轻地但又是坚定地引导他的手直接去找钥匙孔，必要时重新调整方向，帮助本杰明把钥匙塞进去。然后

她会有所期待地对埃伦或者我微笑，好像在等着我们感谢她——或者有时也会微微地皱起眉头，好像是在批评我们做父母的没有尽到责任。

4遗憾的是，即使是为了中美友谊，我们也并不特别感激这种干预。毕竟，这又不是本杰明在到处乱跑或者没人看管；很明显，我们知道他在做什么，而且我们自己都没有干预他。然而，同样明显的是，在希望孩子怎样行事，在孩子融入社会生活时大人应起的作用方面，我们遇到了两种截然不同的态度。

5带着一个小孩在中国呆了很长时间，就有很多机会拿本杰明和中国小孩相比较，并观察大人与小孩之间通常存在的关系。很多次大人们会走近本杰明，有时只是说句“你好”或者只是为了和他玩玩(这种情况全世界都有)，但(大人)常常是想好了做什么。有时大人们会逗本杰明，假装要给他或给他看什么东西，然后又把答应给的奖赏收回去。更多的情况是，这些大人会帮着本杰明，例如找回他在玩的球，帮他在座位上坐直，给他理理衬衣下摆或者整整鞋子，引导他远离不安全的地方，或者当他笨拙地到处乱推婴儿车时指引他一下。

6在我们看来，对某些中国人来说小孩子显然是“该纠错的对象”。大人(甚至青少年)几乎毫不犹豫地干涉小孩成长的过程。可能会有人认为本杰明的外貌容易让人这样做，因为他是中国人，我们在台湾收养的他；但是其他西方人也报道过类似的干预，他们的孩子可是一点儿都不像中国人。另外一点也很清楚，在多数情况下，在抚养小孩过程中什么是对的，什么是不对的，这些中国人都有一致的看法。这些看法就反映在他们和本杰明及其他西方小孩的随意交往中。

A Long March to Creativity (II)

I soon realized that this incident was directly relevant to our assigned tasks in China: to investigate the ways of early childhood education (especially in the arts) and, more broadly, to illuminate Chinese attitudes toward creativity. And so before long I began to include this "key-slot" anecdote into my talks to Chinese educators. I would tell audiences about what had happened and seek their reactions. Some of my Chinese colleagues displayed the same attitude as the attendants at the Jinling Hotel. Since adults know how to place the key in the key slot (they would say), since that is the ultimate purpose of approaching the slot, and since the toddler is neither old nor clever enough to realize the desired action on his own, what possible gain is achieved by having the child flail about? He may well get frustrated and angry—certainly not a desirable outcome. Why not show him what to do? He will be happy (those around will be happier), he will learn how to accomplish the task sooner, and then he can proceed to more complex activities, like opening the door or asking for the key.

We listened to such explanations sympathetically. We agreed that sometimes it is important to show a child what to do, and that we certainly did not want to frustrate Benjamin. But, as I have said, he was rarely frustrated by his fledgling attempts: "delighted" would be a more appropriate word to describe him. We went on to suggest that many Americans held quite different views about such matters.

First of all, we did not much care whether Benjamin succeeded in inserting the key into the slot. He was having a good time and exploring, two activities that did matter to us. But the critical point was that in the process, we were trying to teach Benjamin something: that one can solve a problem effectively by oneself. Such self-reliance is a principal value of child rearing in middle-class America. So long as the child is shown exactly how to do something—whether it be placing a key in a key slot, drawing a rooster, or apologizing for a misdeed—he is less likely to figure out himself how to accomplish such a task. And, more generally, he is less likely to view life—as many Americans do—as a series of situations in which one has to learn to think by oneself, to solve problems on one's own, and even to discover new problems for which creative solutions are wanted.

In retrospect, it became clear to me that this incident was indeed key—and key in more than one sense. It indicated important differences in the educational and artistic practices in our two countries. Even more to the point, this apparently little episode revealed important issues about education, creativity, and art that have interested thinkers around the world.

Dating back to the time of the Greeks, as Philip Jackson has pointed out, one can discern two contrasting approaches to educational issues. One dominant approach is the "mimetic" one, in which the teacher (and "the text") are seen as the unquestioned sources of knowledge. Students are expected to memorize information and then, on subsequent occasions, feed back the information that has been presented to or modeled for them. Opposed to this tradition is a "transformative" approach, in which the teacher is more of a coach, attempting to elicit certain qualities in her students. The teacher engages the student actively in the learning process, asking questions and directing attention to new phenomena, in the hope that the student's understanding will be enhanced. One might say that in the "mimetic" tradition, the cultivation of basic skills is primary; whereas in the "transformative" approach, the stimulation of the child's expressive, creative, and knowing powers is most prized.

培养创造性——任重道远（二）

1我很快发现这件事和我在中国要做的工作直接相关：调查早期儿童教育方法(尤其在艺术

方面)，更广义地说，即阐明中国人对创造力的态度。所以不久，在与中国教育者们的谈话中，我就提起了这个“钥匙孔”的故事。我告诉他们事情的经过，要看看他们的反应。我的中国同事所持的态度与金陵饭店的那些服务员一样，极少例外。他们会说，既然大人们知道如何把钥匙放到钥匙孔里，既然这是接近钥匙孔的最终目的，既然初学走路的孩子不够大，也不够灵巧，无法独立完成想做的事，那么老让小孩子这样乱折腾有什么好处?他很可能会感到受挫或不高兴——这当然是不希望有的结果。为什么不做给他看呢?他会很高兴(他身边的人会更高兴)，他会更快地学会如何完成这项任务，然后他可以去完成更复杂的动作，例如开门或要钥匙。

2我们在倾听他们的解释时，表示理解。我们也同意有时候告诉一个小孩怎么做是很重要的，而且我们当然不想让本杰明受挫折。但是，正如我曾说过的，对自己毫无经验的尝试他几乎没有感到什么沮丧；相反，用“高兴”这个词来形容他应该更恰当。我们接着指出，关于这种问题很多美国人持不同的观点。

3首先，我们不太在意本杰明是否能成功地将钥匙插进窄孔。在我们看来重要的是两件事：他玩得很痛快并且在探索。然而最关键的是，在这个过程中，我们在设法教本杰明：人可以靠自己来有效地解决问题。这种自立精神在美国的中产阶级中是培养小孩的最重要的价值观。不管是把钥匙放进钥匙孔，还是画一只公鸡，或者是为做错事而道歉，只要是有人手把手地教孩子如何做某件事，他就不太可能去自己弄清楚该如何完成这一任务。更广义地说，他就不太会像许多美国人那样，把生活看作是一系列的境遇，在这些境遇中，一个人必须学会独立思考，独立解决问题，甚至于去发现新问题，并且用新的办法去解决这些问题。

4回想起来，我开始明白这个事件所反映的问题确实很关键，而且不止在一个方面很关键。它表明我们两个国家在教育和艺术实践方面有着重要的区别。说得更确切些，这件貌似微不足道的事情在教育、创造力和艺术等方面揭示了一些全世界的有识之士都感兴趣的问题。

5正如菲利普·杰克逊指出的那样，人们可以看出，在教育问题上有两种截然不同的方法，而且可以追溯到希腊时代。一种很有影响的方式是“模仿”式。在这种方式中，老师(还有“课本”)毫无疑问被看作是获取知识的源泉。要求学生记住信息，并在随后的时间里，把传授给他们的或者说是用依葫芦画瓢的办法提供给他们的信息再反馈出来。与此传统相反的是“转化”方式。在这种方式中，老师更像是个教练，努力发掘学生身上的某些品质。老师会使学生积极地投入到学习过程中去，向学生提问并把学生的注意力转l箩到新现象上，期望学生的理解力会因此而提高。可以说，在“模仿”式传统中，首要任务是培养基础技能；而在“转化”模式中，最看重的则是激发小孩的表达、创造和认识能力。

新编大学英语4课文翻译(包括课后文章翻译)和答案

Reading comprehension 1略 2 BDCAC AADBB Vocabulary 1. 1) A. entertaining B. entertainment C. entertained D. entertainer 2) A. recognizable B. recognized C. recognition 3) A. tempting B. temptation C. tempt 4) A. reasoned B. reasoning C. reasonable D. reason 5) A. analyzed B. analytical C. analyst D. analysis 6) A. valuable B. valuation C. valued/values D. values 7) A. humorist B. humor C. humorous D. humorless 8) A. understandable B. understanding C. understand D. misunderstood 2. 1) a sense of responsibility 2) a sense of safety/security 3) a sense of inferiority 4) a sense of superiority 5) a sense of rhythm 6) a sense of justice 7) a sense of shame 8) a sense of helplessness 9) a sense of direction 10) a sense of urgency 3. 1) Lively behavior is normal 2) Fast cars appeal to 3) diverse arguments 4) I asked my boss for clarification 5) sensitive to light 6) Mutual encouragement 7) made fun of him 8) persists in his opinion/viewpoint 9) to be the focus/center of attention 10) we buy our tickets in advance 4. 1）certain/sure 2) involved 3) end 4) behavior 5) disciplining 6) agreed 7) individually 8) first 9) response 10) question 11) attempt 12) voice 13) directly 14) followed 15) trouble Unit 2 便笺的力量 Reading comprehension 1略 2 FFTFTFTFTTFTFT Vocabulary 1. Creating Compound Words

英语精读第二册课文翻译

UNIT 2-1 一场关于男人是否比女人勇敢的激烈的讨论以一个意外的方式。晚宴我最初听到这个故事是在印度，那儿的人们今天讲起它来仍好像实有其事似的——尽管任何一位博物学家都知道这不可能是真的。后来有人告诉我，在第一次世界大战之后不久就出现在一本杂志上。但登在杂志上的那篇故事, 以及写那篇故事的人，我却一直未能找到。故事发生在印度。某殖民官员和他的夫人举行盛行的晚宴。跟他们一起就座的客人有——军官和他人的夫人，另外还有一位来访的美国博物学家——筵席设在他们家宽敞的餐室里，室内大理石地板上没有铺地毯；屋顶明椽裸露；宽大的玻璃门外便是阳台。席间，一位年轻的女士同一位少校展开了热烈的讨论。年轻的女士认为，妇女已经有所进步，不再像过去那样一见到老鼠就吓得跳到椅子上；少校则不以为然。“女人一遇到危急情况，”少校说，反应便是尖叫。而男人虽然也可能想叫，但比起女人来，自制力却略胜一筹。这多出来的一点自制力正是真正起作用的东西。”那个美国人没有参加这场争论，他只是注视着在座的其他客人。在他这样观察时，他发现女主人的脸上显出一种奇异的表情。她两眼盯着正前方，脸部肌肉在微微抽搐。她向站在座椅后面的印度男仆做了个手势，对他耳语了几句。男仆两眼睁得大大的，迅速地离开了餐室。在座的客人中，除了那位美国人以外论证也没有注意到这一幕，也没有看到那个男仆把一碗牛奶放在紧靠门边的阳台上。那个美国人突然醒悟过来。在印度，碗中的牛奶只有一个意思——引蛇的诱饵。他意识到餐室里一定有条眼镜蛇。他意识到餐室里一定有条眼镜蛇。他抬头看了看屋顶上的椽子——那是最可能有蛇藏身的地方——但那上面空荡荡的。室内的三个角落里也是空的，而在第四个角落里，仆人们正在等着下一道菜。这样，剩下的就只有一个地方了餐桌下面。他首先想到的是往后一跳，并向其他人发警告。但他知道这样会引起骚乱，致使眼镜索受惊咬人。于是他很快讲了一通话，其语气非常威严，竟使所有的人安静了下来。我想了解一下在座的诸位到底有多大的克制能力，我数三百下——也就五分钟——你们谁都不许动一动。动者将罚款五十卢比。准备好！”在他数数的过程中，那2 0 个人像一尊尊石雕一样端坐在那儿。当他数到“……280……”时，突然从眼然处看到那条眼镜蛇钻了出来，向那碗牛奶爬去。在他跳起来把通往阳台的门全都砰砰地牢牢关上时，室内响起了一片尖叫声。“你刚才说得很对，少校！”男主人大声说。一个男子刚刚为我们显示了从容不迫、镇定自若的范例。”“且慢”，那位美国人一边说着一边转向女主人。温兹太太，你怎么知道那条眼镜蛇是在屋子里呢？”女主人的脸上闪现出一丝淡淡的微笑，回答说：“因为它当时正从我的脚背上爬过去。” UNIT2 杰斐逊很久以前就死了，但是我们仍然对他的一些思想很感兴趣,杰斐逊的箴言, 布鲁斯.布利文、托马斯.杰斐逊美国第三任总统，也许不像乔治.华盛顿和亚伯拉罕.林肯那样著名，但大多数人至少记得有关他的一件事实：《独立宣言》是他起草的。虽然杰斐逊生活在二百多年以前，但我们今天仍可以从他身上学到很多东西。他的许多思想对当代青年特别有意义。下面就是他讲过和写到过的一些观点：自己去看。杰斐逊认为，一个自由的人除了从书本中获取知识外，还可以从许多别的来源获得知识；亲自做调查是很重要的。当他还年轻的时候，他就被任命为一个委员会的成员，去调查詹姆斯河南部支流的水深是否可以通行大型船只。委员会的其他成员都坐在州议会大厦内，研究有关这一问题的文件，而杰斐逊却跳进一只独木舟去做现场观测。你可以向任何人学习。按出身及其所受的教育，杰斐逊均属于最高的社会阶层。然而很少跟出身卑贱的人说话的年代，在那个贵人们除了发号施令以外。杰斐逊却想尽办法跟园丁、仆人和侍者交谈。有一次杰斐逊曾这样对法国贵族拉斐特说：你必须像我那样到平民百性的家里去，看看他们的烧饭锅，吃吃他们的面包。只要你肯这样做，你就会发现老百姓为什么会不满意，你就会理解正在威胁着法国的革命。”自已作判断。未经过认真的思考，杰斐逊绝不接受别人的意见。“不要相信它或拒绝它。

新编大学英语1翻译答案

一、 1、当我知道详细情况时，我意识到我不该在办公室发脾气。 When I knew the details ,I realized that I shouldn’t have lost the temper at the office. 2、我和鲍勃不是很熟，不过我们偶尔出去喝一杯。 I don’t know Bob very well ,but we go out for a drink occasionally. 3、会议应该在周二召开，但我们不得不推迟。 The meeting is supposed to be held on Tuesday, but we have to put it off. 4、我国政府采取行动使那个国家的所以中国人回到了祖国。 Our government took action to get all the Chinese back to homeland in that country. 5、包括周末在内，仅仅还有12天时间可以用来买圣诞礼物。 Including the weekend ,there is only 12days to buy Charismas presents. 6、如不立即采取行动，许多野生动物就会因饥饿而死亡。 Without taking action immediately ,many kinds of wild animals would die from hunger. 三、 1、除非你有经验，否则你得不到这份工作。 You won’t got this job unless you have got the experience. 2、我把大部分时间都花在研究中美文化差异上了。 Most of my time is spent studying the differences between Chinese and American culture. 3、这句话意思很清楚，绝不会引起误会。 This sentence is so clear that it can’t cause any misunderstanding. 4、他希望能给予她比现在更多的帮助。 He hopes he could give her more help than he does. 5、要记得邀请她来参加生日晚会，不然她会抱怨的。 Remember to invite her to the birthday party ,or she would complain. 6、主任说，你必须把购置设备的2500美元加到成本中去。 The Director said ,you have to add 2500 dollars for equipment purchase to the cost. 7、了解自己的长处、弱点以及所处的环境很重要。 It’s important to be aware of your strengths, weaknesses and the environment you are in. 8、如果你继续对大家这么粗鲁，不久你就会发现自己什么朋友都没有了。 You will find yourself without any friends at all if you keep on being so rude to everyone. 四、 1、做出贡献的人太多了，无法一一提及。 The individuals who have contributed are far too many to mention. 2、半夜里，嘈杂声把我们吵醒了。 The noise woke us up in the middle of the night. 3、他不应该对我说的话感到生气，那仅仅是个玩笑而已。 He shouldn’t have been angry at what I said, it was nothing more than a joke. 4、我们邀请了所以的朋友去野餐，但是由于下雨只来了其中5位。 We invited all our friends to the picnic ,but it rained and only 5 of them showed up. 5、婚姻被视为一件严肃的事。 Marriage is viewed as a serious matter. 6、令我失望的是，这部电影并不像我期待得那么好。 To my disappointment ,the movie didn’t live up to my expectations. 七、

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Part 1 Listening 1 Ex1: C A D C B Ex2: 1) approaching 2) left 3) toilet 4) locked 5) Tickets please 6) pushed 7) stamped Scripts: Two Belgians and two Dutchmen traveled regularly to work on the same train. After a while the Dutchmen saw that the two Belgians only had one ticket between them and asked how they managed to achieve this. The Belgians explained that when they heard the conductor approaching from the other end of the carriage, the two of them left their seats, went into the toilet and locked the door. When the conductor knocked on the toilet door, saying, "Tickets, please!", they pushed one ticket under the door. It was then stamped and pushed back under the door again. The Dutchmen thought this was a very good idea and the following morning bought one ticket between them. When they got to their carriage there was only one Belgian. They told him what they had done and asked the Belgian if he had a ticket as he was traveling on his own. The Belgian said he did not have a ticket at all and when they asked how he proposed to manage to travel free of charge, he told them they would have to wait and see until the conductor arrived, but he had no doubt that he would manage it without difficulty. As soon as they heard the conductor coming, the two Dutchmen immediately went to the toilet and locked the door. A few moments later, the Belgian followed them down the corridor and knocked on the toilet door, saying, "Tickets, please!" One ticket appeared under the door. Questions: 1. Where did the story take place 2. What did the two Dutchmen want to know from the two Belgians 3. How did the Dutchmen feel about the Belgians' behavior 4. What did the Belgian do when asked if he had a ticket 5. Who finally managed to travel free of charge Listening 2 Ex1: 1 department store 2. attend college 3. difficult 4. physical education 5. terrified Ex2: FTTFT Scripts: My name is Atsuko Saeki. I work as a salesclerk in a big department store in Fuji, Japan. Six years ago when I was 21 years old, I went to California to attend college. Life in the United States was much more difficult than I had ever imagined. It wasn't like the descriptions I had read in my textbooks. People often seemed tense and so I felt very alone. One of my hardest classes was physical education. We often played volleyball. All the other students were good at it, but I clearly wasn't. One afternoon, the teacher asked me to hit the ball to my classmates. For most people, this would be easy but I was terrified that I would make a fool of myself. When one of the boys on my team saw how nervous I was, he walked up to me and whispered, "Come on, you can do that." You can't imagine how those words of encouragement made me feel. I was so happy that I almost cried. I managed to hit the ball and I think I thanked the young man, but I'm not sure. I have never forgotten his kind words of encouragement. He probably doesn't even remember what he said to me or how much his kindness meant to me. Whenever things aren't going well, I think of those simple words of encouragement: Come on, you can do that.

大学英语精读 第二册第一、二课 课文翻译

Unit1 The Dinner Party 关于男人是否比女人更勇敢的一场激烈争论以一种颇为出人意料的方式解决了 The dinner party 晚宴 1. I first heard this tale in India, where is told as if true—though any naturalist would know it couldn’t be. Later someone told me that the story appeared in a magazine shortly before the First World War. That magazine story, and the person who wrote it, I have never been able to track down. 我最初听到这个故事是在印度，那儿的人们今天讲起它来仍好像确有其事似的——尽管任何一位博物学家都知道这不可能是真的。后来有人告诉我，在第一次世界大战之前不久，一家杂志曾刊登过这个故事。但登在杂志上的那篇故事以及写那篇故事的人，我却一直未能找到。 2.The country is India.A colonial official and his wife are giving a large dinner party. They are seated with their guests—officers and their wives, and a visiting American naturalist—in their spacious dining room, which has a bare marble floor, open rafters and wide glass doors opening onto a veranda. 故事发生在印度。某殖民地官员和他的夫人正举行盛大的晚宴。筵席设在他们家宽敞的餐室里，室内大理石地板上没有铺地毯；屋顶明椽裸露；宽大的玻璃门外便是走廊。跟他们一起就坐的客人有军官和他们的夫人，另外还有一位来访的美国博物学家。 3. A spirited discussion springs up between a young girl who says that women have outgrown the jumping-on-a-chair-at-the-sight-of-a-mouse era and a major who says that they haven't. 席间，一位年轻的女士同一位少校展开了热烈的讨论。年轻的女士认为，妇女已经有所进步，不再像过去那样一见到老鼠就吓得跳到椅子上；少校则不以为然。 4. "A woman's reaction in any crisis, "the major says, "is to scream. And while a man may feel like it, he has that ounce more of control than a woman has. And that last ounce is what really counts." 他说：“一遇到危急情况，女人的反应便是尖叫。而男人虽然也可能想叫，但比起女人来，自制力却略胜一筹。这多出来的一点自制力正是真正起作用的东西。” 5. The American does not join in the argument but watches the other guests. As he looks, he sees a strange expression come over the face of the hostess. She is straight ahead, her muscles contracting slightly. She motions to the native boy standing behind her chair and whispers something to him. The boy's eyes widen：he quickly leaves the room. 那个美国人没有参加这场争论，他只是注视着在座的其他客人。在他这样观察时，他发现女主人的脸上显出一种奇异的表情。她两眼盯着正前方，脸部肌肉在微微抽搐。她向站在座椅后面的印度男仆做了个手势，对他耳语了几句。男仆两眼睁得大大的，迅速地离开了餐室。 6. Of the guests, none except the American notices this or sees the boy place a bowl of milk on the veranda just outside the open doors. 在座的客人中除了那位美国人以外谁也没注意到这一幕，也没有看到那个男仆把一碗牛奶放在紧靠门边的走廊上。 7. The American comes to with a start. In India, milk in a bowl means only one thing—bait for a snake. He realizes there must be a cobra in the room. He looks up at the rafters—the likeliest place—but they are bare. Three corners of the room are empty, and in the fourth the servants are

Unit-6-A-World-of-Mystery新编大学英语第二版第一册课文翻译

Unit 6 A World of Mystery The Bermuda Triangle [1] On 5th December 1945, Flight 19, which consisted of five US Navy planes, took off from Fort Lauderdale, Florida in fine weather. There was a total of fourteen men on board the planes. The planes were in good condition; they had the best equipment on board including compasses and radios, and they also carried life rafts. The planes could float on water for ninety seconds. One and a half hours after the take-off, a radio message from one of the planes was heard at the control tower at Fort Lauderdale. [2] "I don't know where we are." [3] After that the planes could no longer speak to the control tower, but they could speak to and hear each other, and the control tower could hear them. [4] "The magnetic compass is going crazy." [5] "We're completely lost." [6] No other messages were heard after that. Nobody else heard from the planes or saw them again. Three hundred planes and many boats searched the area, but not one trace of Flight 19 was found. Then one of the planes that was sent to look for them also disappeared completely. [7] These planes had disappeared in a very mysterious part of the world in the western Atlantic Ocean where lots of strange events have taken place. The mystery started long before 1945, and since that year many other ships and planes have also disappeared in this area. It is called the Bermuda Triangle. It is a large, triangular area of the ocean with the island of Bermuda at its northern tip. [8] Planes and ships disappear in other parts of the world, but there are more disappearances in the Triangle than in other areas. For years now scientists and others have been puzzled by this mystery. There have been many attempts to explain why people, planes and ships disappear in such high numbers here . [9] One writer, John Spencer, believes that the ships and planes have been carried off from the sea and sky by flying saucers or UFOs from another planet. Since there are millions of other planets in the universe, Spencer believes there must be other intelligent creatures somewhere in the universe. These creatures are interested in collecting humans and their equipment so that they can examine them carefully. [10] Another theory is that the geography of the area is responsible for the disappearances of the ships and planes. Bermuda lies on an earthquake belt. Underwater earthquakes result in large waves appearing suddenly. These waves are so big that they can break a ship into pieces. In the air, a similar thing can happen to airplanes because of

浙大出版社 英语答案(第四册)

新编大学英语4（浙大版）课后习题答案共同学们欣赏嘎嘎 编辑 | 删除 | 权限设置 | 更多▼ 更多▲ ?设置置顶 ?推荐日志 ?转为私密日志 转载自W～XなK¤转载于2010年03月15日 11:55 阅读(0) 评论(0) 分类：移花接木权限: 公开 Unit1 1. 1) A entertaining B entertainment C entertained D entertainer 2) A recognizable B recognized C recognition D 3) A tempting B temptation C tempt 4) A reasoned B reasoning C reasonable D reason 5) A analyzed B analytical C analyst D analysis 6) A valuable B valuation C valued/values D values 7) A humorist B humor C humorous D humorless 8) A understandable B understanding C understand D misunderstood 2. 1) a sense of responsibility 2) a sense of safety/security 3) a sense of inferiority 4) a sense of superiority 5) a sense of rhythm 6) a sense of justice 7) a sense of shame 8) a sense of helplessness 9) a sense of direction 10) a sense of urgency 3. 1) Lively behavior is normal 2) Fast cars appeal to 3) diverse arguments 4) I asked my boss for clarification 5) sensitive to light 6) Mutual encouragement

《新编大学英语》第一册课后翻译练习参考答案

Book 1 Translation Exercises Unit 1 Translation 1) 我累了。昨晚我不该那么晚睡觉。(should not + 动词完成式) 2) 我和鲍勃不是很熟，不过我们偶尔一起出去喝一杯。(occasional) 3) 我们应该到火车站接她。(be supposed to) 4) 你可以清楚地看到有人快要淹死, 而你却没有采取行动救他们。(drown, take action) 5) 包括周末在内，仅仅还有12天时间可以用来买圣诞礼物。(including) 6) 如果不立即采取行动，许多种野生动物就会因饥饿而死亡。(without, hunger) I’m tired. I shouldn’t have gone to bed so late last night. I don’t/didn’t know Bob very well, but we go/went out for an occasional drink together. We’re supposed to meet her at the train station. You could clearly see people drowning, but/and yet you took no action to save them. Including weekends, there are only twelve more days to buy Christmas presents. Without immediate action, many kinds of wild animals would die from hunger. Unit 2 Translation 1) 那首歌总是使她回想起在芝加哥度过的那个夜晚。(remind…of…) 2) 街角处刚巧有一位警察，我便向他问路。(happen to, corner) 3) 由于天气恶劣，今天所有去纽约的航班都延误了。(delay) 4) 谁有责任谁就必须赔偿损失。(whoever, responsible) 5) 我找不到我的支票簿。我准是把它留在家里了。(checkbook, must have) 6) 到足球比赛快开始时，暴风雨已经停了。(by the time) That song always reminded her of the night spent in Chicago. There happened to be a policeman on the corner, so I asked him the way. All flights to New York today are/were delayed because of the bad weather. Whoever is responsible will have to pay for the damage. I can’t find my checkbook. I must have left it at home. By the time the football match was going to start, the storm had already stopped. Unit 3 Translation 1) 除非你有经验，否则你得不到这份工作。(unless) 2) 我把大部分时间花在研究中美文化的差异上了。(spend) 3) 这句话意思极清楚，决不会引起误解。(so…that) 4) 他希望能够给予她比现在更多的帮助。(more than) 5) 穿上外套，否则你会感冒的。(or) 6) 她的收藏品中增加了一张毕加索(Picasso)的画。(add…to…) 7) 我没意识到以前曾来过这儿。(be aware of) 8) 如果你继续对每个人这么粗鲁，你很快就会发现自己什么朋友都没有了。(find oneself without) 1）You won’t get the job unless you’ve got the experience. 2) Most of my time is spent studying the differences between Chinese and American culture. The statement/sentence is so clear that it can’t cause any misunderstanding. He wishes that he could give her more help than he does. She has added a Picasso to his collection.

新编大学英语4课文翻译和答案-浙江大学

课内阅读参考译文及课后习题答案(Book 4) Unit 1 享受幽默—什么东西令人开怀？ 1 听了一个有趣的故事会发笑、很开心，古今中外都一样。这一现象或许同语言本身一样悠久。那么，到底是什么东西会使一个故事或笑话让人感到滑稽可笑的呢？ 2 我是第一次辨识出幽默便喜欢上它的人，因此我曾试图跟学生议论和探讨幽默。这些学生文化差异很大，有来自拉丁美洲的，也有来自中国的。我还认真地思考过一些滑稽有趣的故事。这么做完全是出于自己的喜好。 3 为什么听我讲完一个笑话后，班上有些学生会笑得前仰后合，而其他学生看上去就像刚听我读了天气预报一样呢？显然，有些人对幽默比别人更敏感。而且，我们也发现有的人很善于讲笑话，而有的人要想说一点有趣的事却要费好大的劲。我们都听人说过这样的话：“我喜欢笑话，但我讲不好，也总是记不住。”有些人比别人更有幽默感，就像有些人更具有音乐、数学之类的才能一样。一个真正风趣的人在任何场合都有笑话可讲，而且讲了一个笑话，就会从他记忆里引出一连串的笑话。一个缺乏幽默感的人不可能成为一群人中最受欢迎的人。一个真正有幽默感的人不仅受人喜爱，而且在任何聚会上也往往是人们注意的焦点。这么说是有道理的。 4 甚至有些动物也具有幽默感。我岳母从前经常来我们家，并能住上很长一段时间。通常她不喜欢狗，但却很喜欢布利茨恩—我们养过的一条拉布拉多母猎犬。而且，她们的这种喜欢是相互的。布利茨恩在很小的时候就常常戏弄外祖母，当外祖母坐在起居室里她最喜欢的那张舒适的椅子上时，布利茨恩就故意把她卧室里的一只拖鞋叼到起居室，并在外祖母刚好够不到的地方蹦来跳去，一直逗到外祖母忍不住站起来去拿那只拖鞋。外祖母从椅子上一起来，布利茨恩就迅速跳上那椅子，从它那闪亮的棕色眼睛里掠过一丝拉布拉多式的微笑，无疑是在说：“啊哈，你又上了我的当。” 5 典型的笑话或幽默故事由明显的三部分构成。第一部分是铺垫（即背景），接下来是主干部分（即故事情节），随后便是妙语（即一个出人意料或令人惊讶的结尾）。如果这个妙语含有一定的幽默成分，这个笑话便会很有趣。通常笑话都包含这三部分，而且每部分都必须交代清楚。如果讲故事或说笑话的人使用听众都熟悉的手势和语言，则有助于增强效果。 6 我们可以对幽默这种娱乐形式，进行分析，从而发现究竟是什么使一个有趣的故事或笑话令人发笑。举例来说，最常见的幽默有以下几种，包括了从最显而易见的幽默到比较微妙含蓄的幽默。 7 “滑稽剧”是最明显的幽默。它语言简单、直截了当，常常以取笑他人为乐。说笑打闹这种形式过去是、现在仍然是滑稽说笑演员和小丑的惯用技巧。它为不同年龄、不同文化背景的人们所喜爱。几乎本世纪的每个讲英语的滑稽说笑演员都曾以这样或那样的方式说过下面这则笑话。一位男士问另一位男士：“昨晚我看到的那位和你在一起的贵妇是谁？”那位男士回答道：“那可不是什么贵妇，那是我老婆。”这个笑话的幽默之处在于第二位男士说他的妻子不是一位贵妇，也就是说她不是一个高雅的女人。这个笑话并没有因为经常讲而变得不再那么好笑。由于这是一个经典笑话，观众都知道要说什么，而且因为大家对这个笑话很熟悉而更加珍爱它。 8 中国的相声是一种特殊的滑稽剧。相声中两名中国喜剧演员幽默地谈论诸如官僚主义者、家庭问题或其他一些有关个人的话题。相声随处都能听到，无论是在乡村的小舞台上，还是在北京最大的剧院里，抑或在广播、电视上。它显然是中国人家喻户晓的一种传统的幽默形式。 9 “俏皮话”不像滑稽剧那样浅显，它是因语言的误用或误解而引人发笑。我特别喜欢

大学英语精读第二册课文翻译

UNIT 01 关于男人是否比女人更勇敢的一场激烈争论以一种颇为出人意料的方式解决了。 晚宴 莫娜·加德纳 我最初听到这个故事是在印度，那儿的人们今天讲起它来仍好像确有其事似的——尽管任何一位博物学家都知道这不可能是真的。后来有人告诉我，在第一次世界大战之前不久，一家杂志曾刊登过这个故事。但登在杂志上的那篇故事以及写那篇故事的人，我却一直未能找到。 故事发生在印度。某殖民地官员和他的夫人正举行盛大的晚宴。筵席设在他们家宽敞的餐室里，室内大理石地板上没有铺地毯；屋顶明椽裸露；宽大的玻璃门外便是走廊。跟他们一起就坐的客人有军官和他们的夫人，另外还有一位来访的美国博物学家。 席间，一位年轻的女士同一位少校展开了热烈的讨论。年轻的女士认为，妇女已经有所进步，不再像过去那样一见到老鼠就吓得跳到椅子上；少校则不以为然。 他说：“一遇到危急情况，女人的反应便是尖叫。而男人虽然也可能想叫，但比起女人来，自制力却略胜一筹。这多出来的一点自制力正是真正起作用的东西。” 那个美国人没有参加这场争论，他只是注视着在座的其他客人。在他这样观察时，他发现女主人的脸上显出一种奇异的表情。她两眼盯着正前方，脸部肌肉在微微抽搐。她向站在座椅后面的印度男仆做了个手势，对他耳语了几句。男仆两眼睁得大大的，迅速地离开了餐室。 在座的客人中除了那位美国人以外谁也没注意到这一幕，也没有看到那个男仆把一碗牛奶放在紧靠门边的走廊上。 那个美国人突然醒悟过来。在印度，碗中的牛奶只有一个意思——引蛇的诱饵。他意识到餐室里一定有条眼镜蛇。他抬头看了看屋顶上的椽子——那是最可能有蛇藏身的地方——但那上面空荡荡的。室内的三个角落里也是空的，而在第四个角落里，仆人们正在等着上下一道菜。这样，剩下的就只有一个地方了——餐桌下面。 他首先想到的是往后一跳，并向其他人发出警告。但他知道这样会引起骚乱，致使眼镜蛇受惊咬人。于是他很快讲了一通话，其语气非常威严，竟使得所有的人都安静了下来。 “我想了解一下在座的诸位到底有多大的克制能力，我数三百下——也就是五分钟——你们谁都不许动一动。动者将罚款五十卢比。准备好！” 在他数数的过程中，那二十个人都像一尊尊石雕一样端坐在那儿。当他数到“……二百八十……”时，突然从眼角处看到那条眼镜蛇钻了出来，向那碗牛奶爬去。在他跳起来把通往走廊的门全都砰砰地牢牢关上时，室内响起了一片尖叫声。 “你刚才说得很对，少校！” 男主人大声说。“一个男子刚刚为我们显示了从容不迫、镇定自若的范例。” “且慢，” 那位美国人一边说着一边转向女主人。“温兹太太，你怎么知道那条眼镜蛇是在屋子里呢？”女主人脸上闪出一丝淡淡的微笑，回答说：“因为它当时正从我的脚背上爬过去。”