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赞美诗-走进新的一年

赞美诗-走进新的一年

走进新的一年

走进新的一年,我有一个心愿,恩主恳求你的手,把我来掌管,保守我的心灵,坚定我的信念,引导我的脚步,向着你的标杆,不管路途上有,多少的艰难,不管明天会有,多少的危险,主我仍愿意,站在你面前。

这是我的心愿。

警察与赞美诗续写

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警察与赞美诗英语 原文分析

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《警察与赞美诗》英文梗概

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流浪汉A:索比 穿着:破旧裤子,破皮鞋,马甲,黑领结 流浪汉B:索普 穿着:邋遢的便装 警长 警察 旁白+法官 侍者领班+市民(我) 侍者+路人 某一个晚上 索比,索普睡在广场喷水池旁的长凳上,用三张星期日的报纸分别垫在上衣里、包着脚踝、盖住大腿,依然冻得瑟瑟发抖 第二天早上 两人急躁不安地躺在广场的长凳上,辗转反侧。 One night Soapy, thorpe slept on his bench near the spurting fountain in the square, with the three newspapers, Sunday in the top cover, wrapped in ankle, thigh, still shivering The second day morning The two men lay anxiously on the bench in the square, tossing and turning 旁白:冬天快要到了,他们得想想办法去岛上呆上三个月,多年来,好客的布莱克韦尔岛的监狱一直是两人冬天的寓所。不要求在地中海巡游,也不要求到南方去晒令人昏睡的太阳,有吃有住就好,还有志趣相投的伙伴们,也没有北风和警察的侵扰。那样的生活多好啊~! Narrator: winter is coming, they have to think of a way to stay on the island for three months, for years, the hospitable blackwell prison island has always been two people's home in the winter. Does not require a cruise in the Mediterranean, also went to the south does not require the sun bask in a coma, had to eat a live, there are like-minded partners, nor the intrusion of the north wind and the police. That's a good life. 索比:(小声说)哼,那些以公益设施对城镇穷苦人没有一点作用,早点拆了才好,让我遭受精神的折磨,还不如法律来的好呢。看来我要做点什么,让我愉快的度过三个月 Soapy: (whispered) hum, those in the urban poor people do not have a little effect on public welfare facilities, down early enough, let me suffer from mental torture, is not as good as the law to do. What do I have to do to make me happy for three months.

高三语文限时训十(学生)zhong

高三语文限时训练十 一本大题5小题,每小题3分,共15分。 1.下列词语中加点的字,每对读音都.不相同 ...的一组是() A.崇.高/作祟.殷.红/赝.品调.适/调.和 B.傍.晚/滂.沱赈.灾/诤.言湖泊./停泊. C.韬.略/滔.天砧.板/嗔.怪如法炮.制/炮.火连天 D.瞥.见/蹩.脚悚.然/耸.立方兴未艾./自怨自艾. 2.下列各组词语中没有错别字的一组是() A.诡谲两全齐美寻章摘句千军易得一将难求 B.谏诤开门揖盗大声急呼一言既出驷马难追 C.坐落各行其是闲情逸致黄钟毁弃瓦釜雷鸣 D.发轫宵衣旰食穷奢极侈文武之道一张一驰 3.下面语段中画线的词语,使用不恰当 ...的一项是() 在许多人眼里,美术馆一直是阳春白雪的代名词,是少数有艺术造诣的人出入的地方,里面陈列的通常是看不太懂的作品。但你到台湾的美术馆去转转,你一定不会失望。台湾的美术馆数量众多,有大有小,风格迥异。其中规模最大的两处是新北市的朱铭美术馆和台中市的“台湾美术馆”。置身其中,你会发现那里艺术不再是高高在上的物品,而是像站立在你身边懂你的知心朋友。 A.阳春白雪B.通常C.迥异D.高高在上 4.下列句子中,没有语病 ....的一项是() A.为满足与日俱增的客流运输需求,缓解地铁线路载客,近日,广州地铁三号线再增加一列新车上线运营。 B.有关部门负责人强调,利用互联网造谣、传谣是违法行为,我国多部法律对惩治这类行为已有明确规定。 C.神木县属陕北黄土丘陵区向内蒙古高原的过渡地带,境内煤矿资源主要分布在北部的风沙草滩区,生态环境非常脆弱,一旦破坏,短期内难以一时恢复。 D.最近纽约市颁布了一项禁令关于禁止超市、流动贩卖车、电影院、熟食店等销售大剂量含糖饮料,以控制日益严重的肥胖现象。 5.下列有关文学常识的表述,错误的一项是() A.《左传》《史记》等历史散文作品,以实录的笔法将人物写得真实丰满,有血有肉。 B.《项脊轩志》以清淡朴素的笔法写身边琐事,亲切动人。它的作者归有光被认为是桐城派的代表人物。 C.茅盾的《子夜》、巴金的《家》、老舍的《骆驼祥子》以及叶圣陶的《倪焕之》,是我国20世纪二、三十年代著名的长篇小说。 D.马克·吐温和欧·享利都擅长写讽剌小说。马克·吐温的《竞选州长》《百万英磅》和欧·亨利的《警察与赞美诗》等都深受读者的喜爱。 二、完成下面三个小题,共9分。 乡土本色 费孝通 从基层上看去,中国社会是乡土性的。那些被称土气的乡下人是中国社会的基层。我们说乡下人土气,这个土字用得很好。土字的基本意义是指泥土。乡下人离不了泥土,因为在乡下住,种地是最普通的谋生办法。靠种地谋生的人才明白泥土的可贵。农业直接取资于土地,种地的人搬不动地,长在土里的庄稼行动不得,土气是因为不流动而发生的。 不流动是从人和空间的关系上说的,从人和人在空间的排列关系上说就是孤立和隔膜。孤立和隔膜并不是以个人为单位的,而是以住在一处的集团为单位的。中国乡土社区的单位是村落,从三家村起可以到几千户的大村。孤立、隔膜是就村和村之间的关系而说的。孤立和隔膜并不是绝对的,但是人口的流动率小,社区间的往来也必然疏少。我想我们很可以说,乡土社会的生活是富于地方性的。地方性是指他们活动范围有地域上的限制,在区域间接触少,生活隔离,各自保持着孤立的社会圈子。 乡土社会在地方性的限制下成了生于斯、死于斯的社会。常态的生活是终老是乡。假如在一个村子里的人都是这样的话,在人和人的关系上也就发生了一种特色,每个孩子都是在人家眼中看着长大的,在孩子眼里周围的人也是从小就看惯的。这是一个“熟悉”的社会,没有陌生人的社会。 在社会学里,我们常分出两种不同性质的社会:一种并没有具体目的,只是因为在一起生长而发生的社会;一种是为了要完成一件任务而结合的社会。用一位外国学者的话说,前者是“有机的团结”,后者是“机械的团结”。用我们自己的话说,前者是礼俗社会,后者是法理社会。生活上被土地所囿住的乡民,他们平素所接触的是生而与俱的人物,正像我们的父母兄弟一般,并不是由于我们选择得来的关系,而是无须选择,甚至先我而在的一个生活环境。 熟悉是从时间里、多方面、经常的接触中所发生的亲密的感觉。这感觉是无数次的小磨擦里陶炼出来的结果。这过程是《论语》第一句里的“习”字。“学”是和陌生事物的最初接触,“习”是陶炼,“不亦说乎”是描写熟悉之后的亲密感觉。在一个熟悉的社会中,我们会得到从心所欲而不逾规矩的自由。这和法律所保障的自由不同。规矩是“习”出来的礼俗。从俗即是从心。 “我们大家是熟人,打个招呼就是了,还用得着多说么?”——这类的话已经成了我们现代社会的阻碍。现代社会是个陌生人组成的社会,各人不知道各人的底细,所以得讲个明白;还要怕口说无凭,画个押,签个字。这样才发生法律。在乡土社会中法律是无从发生的。“这不是见外了么?”乡土社会里从熟悉得到信任。乡土社会的信用并不是对契约的重视,而是发生于对一种行为的规矩熟悉到不加思索时的可靠性。 从熟悉里得来的认识是个别的,并不是抽象的普遍原则。在熟悉的环境里生长的人,不需要这种原则,他只要在接触所及的范围之中知道从手段到目的间的个别关联。在乡土社会中生长的人似乎不太追求这笼罩万有的真理。我读《论语》时,看到孔子在不同人面前说着不同的话来解释“孝”的意义时,我感觉到这乡土社会的特性了。孝是什么?孔子并没有抽象地加以说明,而是列举具体的行为,因人而异地答复了他的学生。 在我们社会的急速变迁中,从乡土社会进入现代社会的过程中,我们在乡土社会中所养成的生活方式处处产生了流弊。陌生人所组成的现代社会是无法用乡土社会的习俗来应付的。于是,“土气”成了骂人的词汇,“乡”也不再是衣锦荣归的去处了。 6.下列对“中国社会是乡土性的”的理解,符合原文意思的一项是() A.乡民是中国社会的基层,他们以种地为基本生存方式,从土地中获取生活资源,因此与土地分不开,为土地所束缚。 B.人与人在空间排列上的不流动性,造成乡土社会里乡民个体之间彼此的孤立与隔膜,所以才有三家村式的微型村落的存在。 C.乡土社会里的个体为了谋生这一共同目标,分工协作,有机地聚合在一起,形成没有陌生人的“熟人”社会。 D.无论是生活的环境还是所接触的人物,对乡民而言都是生而与俱,再熟悉不过的,于是他们选择固守乡土,终老于斯。 7.下列理解和分析,符合原文意思的一项是() A.生活在乡土社会的人们,彼此之间相互了解,没有隔阂,相比现代社会,更容易获得一种从心所欲的自由。 B.依附于土地的乡民从小习得礼俗,与周围的人都熟如亲人,因为大家感情深厚,所以对他们来讲“从俗即是从心”。

警察与赞美诗

O. Henry (1862-1910) He was a prolific American short-story writer, a master of surprise endings, who wrote about the life of ordinary people in New York City. Henry was known as a good end, it was called “O? Henry-end”. Although some critics were not so enthusiastic about his work, the public loved it. He was called Prose Laureate of Manhattan and Father of short stories. He is one of three short story master in the world.(O. Henry , Maupassant, Chekhov) 创作丰富的美国短篇小说作家,主要描写纽约平民的生活,市民非常喜欢他。以“欧亨利式结尾”闻名于世。 曼哈顿桂冠散文作家和美国现代短篇小说之父。 世界三大短篇小说大师之一。(欧·亨利、莫泊桑、契诃夫 William Sydney Porter was born in Greenboro, North Carolina. His father was a physician. When William was three, his mother died, and he was raised by his parental grandmother and paternal aunt. William was an avid reader, but at the age of fifteen he left school, and then worked in a drug store and on a Texas ranch. He continued to Houston, where he had a number of jobs, including accountant,land board clerk, reporter. In 1887 he married Athol Estes Roach; they had a daughter and a son. 出生于美国北卡罗来纳州格林斯波罗镇一个医师家庭,三岁丧母,之后与祖母、姑姑一起生活。 狂热的阅读者,但15岁便离开学校。 做过许多工作,在药房当学徒,做过会计、土地局办事员、记者。 1887年结婚,生有一儿一女。 主要作品 The Romance of a Busy Broker 证券经纪人的浪漫故事 The Gift of Magi 麦琪的礼物 The Last Leaf 最后一片叶子 A Cosmopolite in a Café咖啡馆里的世界公民 Mammon and the Archer 财神和爱神 The Ransom of Red Chief 红色酋长的救赎 The Furnished Room 带家具出租的房间 The Cop and the Anthem 警察和赞美诗 简介 It’s about a New York City hobo named Soapy, who sets out to get arrested so he can avoid sleeping in the cold winter as a guest of the city jail. Despite efforts at petty theft, disorderly conduct, and "mashing" with a young prostitute, Soapy fails to draw the attention of the police. Disconsolate, he pauses in front of a church, where an organ anthem inspires him to clean up his life —and is ironically charged for loitering and sentenced to three months in prison. The character Soapy, is homeless, a member of the substantial army of underclass men and women who had flocked to New York City during the earliest years of the twentieth century. In an unstated day in late fall, Soapy faces the urgent necessity of finding some sort of shelter for the winter. As with many other homeless people in the

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