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文学术语复习

文学术语复习
文学术语复习

文学术语复习

1.sonnet十四行诗,商籁诗type of poem containing 14 lines, each of 10

syllables, and with a formal pattern of rhymes

2.tragedy悲剧 A drama or similar work, in which the main character

is brought to ruin or otherwise suffers the extreme consequences of some tragic flaw or weakness of character;Play, novel or other narrative, depicting serious and important events, in which the main character (usually a good and noble person of high rank) comes to an unhappy end.

3.neo-classicism新古典主义A mid 18th Century art movement started in

Rome and aimed at recreating the art of ancient Greece and Rome. It was a reaction to the excesses of Baroque and Rococo and part of a Classical revival that prevailed into the 19th Century.

4.realism现实主义The nineteenth- century literary movement that

reacted to romanticism by insisting on a faithful, objective

presentation of the details of everyday life. Also regarded as the style of art and literature in which things, especially unpleasant things, are shown or described as they really are in life

5.Renaissance 文艺复兴(period of the) revival of art and literature

in the 14th, 15th and 16th centuries, based on classical forms. The term originally indicated a revival of classical arts and science after the dark ages of medieval obscurantism, being viewed as a bridge between the Middle Ages and the Modern era. The study and propagation of classical learning and art was carried o n by the progressive thinkers of the humanists. They held their chief interest not in ecclesiastical knowledge, but in man, his environment and doings and bravely fought for the emancipation of man from the tyranny of the church and religious dogmas

6.free verse自由诗体A poetic form divided into lines of no particular

length or meter, without a rhyme scheme Also called open form poetry, free verse refers to poems characterized by their nonconformity to established patterns of meter, rhyme, and stanza. Free verse uses elements such as speech patterns, grammar, emphasis, and breath pauses to decide line breaks, and usually does not rhyme.

7.imagism(意象派):it was a poetic vogue that flourished in England,

and even more vigorously in America, between the years 1912 and 1917.

The typical Imagist poetry is written in free verse and undertakes to be as precisely and tersely as possible. Meanwhile, the Imagist poetry likes to express the writers’ momentary impression of a visual object or scene and often the impression is rendered by means of metaphor without indicating a relation.

8.Local Colorism(地方色彩)was a literary trend belonging to Realism.

It refers to the detailed representation in prose fiction of the

setting, dialect, customs, dress and ways of thinking and feeling which are distinctive of a particular region. After the Civil War a number of American writers exploited the literary possibilities of local color in various parts of America. The most famous

representative of local colorism should be Mark Twain who took his hometown near the Mississippi as the typical setting of nearly all his novels.

9.epic(史诗): A long narrative poem, elevated and dignified in theme,

tone, and style, celebrating heroic deeds and historically (at times cosmically) important events; usually focuses on the adventures of

a hero who has qualities that are superhuman or divine and on whose

fate very often depends the destiny of a tribe, a nation, or even the whole of the human race.

10.Puritanism:清教主义 is behavior or beliefs that are based on strict

moral or religious principles, especially the principle that people should avoid physical pleasures,advocating for more "purity" of worship and doctrine, as well as personal and group piety.

11.tragic flaw: 悲剧性缺陷the principal defect in character or

judgment that leads to the downfall of the tragic hero.In a tragedy, the quality within the hero or heroine which leads to his or her downfall. Examples of the tragic flaw include Othello's jealousy and Hamlet's indecisiveness, although most great tragedies defy such simple interpretation.

12.heroic couplet(英雄双韵体)refers to lines of iambic pentameter which

rhyme in pairs: aa, bb, cc, and so on. Or two lines of poetry one after the other that RHYME and usually contain ten syllables and five stresses

13.stream of consciousness意识流 a continuous flow of ideas, thoughts,

and feelings, as they are experienced by a person; a style of writing that expresses this without using the usual methods of description and conversation: Virginia Woolf's use of stream of consciousness in her novel 'Mrs Dalloway'

复习一些术语

Epic (史诗)

In literature generally, a major work dealing with an important theme. "Gone with the Wind," a film set in the antebellum (pre-Civil War) and Civil War South, is considered an epic motion picture. In poetry, a long

work dealing with the actions of gods and heroes. John Milton's "Paradise Lost" is a book length epic poem consisting of twelve subdivisions called books. Homer's "The Iliad" and "The Odyssey" are epic poems, the former concerning the Greek invasion of Troy; the latter dealing with the Greek victory over the Trojans and the ten-year journey of Odysseus to reach his island home.

Heroic couplet (英雄双行) A pair of rhymed metrical lines, usually in iambic tetrameter or pentameter. Sometimes the two lines are of different length.

Sonnet (十四行诗)

A lyric poem of fourteen lines whose ryhme scheme is fixed. The rhyme scheme in the Italian form as typified in the sonnets of Petrarch is abbaabba cdecde. The Petrarchian sonnet has two divisions: the first is of eight lines (the octave), and the second is of six lines (the sestet). The rhyme scheme of the English, or Shakespearean sonnet is abab cdcd efef gg. The change of rhyme in the English sonnet is coincidental with a change of theme in the poem. The meter is iambic pentameter.

Soliloquy (独白)

In drama, a moment when a character is alone and speaks his or her thoughts aloud. In the line "To be, or not to be, that is the question:" which begins the famous soliloquy from Act 3, scene 1 of Shakespeare's "Hamlet" Hamlet questions whether or not life is worth living, and speaks of the reasons why he does not end his life.

Rhyme (押韵)

In poetry, a pattern of repeated sounds. In end rhyme, the rhyme is at the end of the line, as in these lines from "Ars Poetica" by Archibald MacLeish:

A poem should be palpable and mute

As a globed fruit

Tragedy (悲剧)

According to A. C. Bradley, a tragedy is a type of drama which is

pre-eminently the story of one person, the hero. "Romeo and Juliet" and "Antony and Cleopatra" depart from this, however, and we may view both characters in each play as one protagonist.

Comedy (喜剧)

A literary work which is amusing and ends happily. Modern comedies tend to be funny, while Shakespearean comedies simply end well. Shakespearean comedy also contains items such as misunderstandings and mistaken identity to heighten the comic effect. Comedies may contain lovers, those who interfere with lovers, and entertaining scoundrels(无赖,恶棍). In modern Situation Comedies, characters are thrown into absurd situations and are forced to deal with those situations, all the while reciting clever lines for the amusement of a live or television or movie audience.

Alliteration (头韵)

Used for poetic effect, a repetition of the initial sounds of several words in a group. The following line from Robert Frost's poem "Acquainted with the Night provides us with an example of alliteration,": I have stood still and stopped the sound of feet." The repetition of the s sound creates a sense of quiet, reinforcing the meaning of the line.

美国文学史名词解释

1、the Lost Generation In general, the post-World War I generation, but specifically a group of U.S. writers who came of age during the war and established their literary reputations in the 1920s. The term stems from a remark made by Gertrude Stein to Ernest Hemingway, “You are all a lost generation.” Hemingway used it as an epigraph to The Sun Also Rises (1926). The generation was “lost” in the sense that its inherited values were no longer relevant in the postwar world and because of its spiritual alienation from a U.S. that, b asking under President Harding's “back to normalcy” policy, seemed to its members to be hopelessly provincial, materialistic, and emotionally barren. The term embraces Hemingway, F. Scott Fitzgerald, John Dos Passos, e.e. cummings and many other writers who made Paris the centre of their literary activities in the '20s. They were never a literary school. In the 1930s, as these writers turned in different directions, their works lost the distinctive stamp of the postwar period. The last representative works of the era were Fitzgerald's Tender Lost generation The lost generation is a term first used by Stein to describe the post-war I generation of American writers: men and women haunted by a sense of betrayal and emptiness brought about by the destructiveness of the war.2>full of youthful idealism, these individuals sought the meaning of life, drank excessively, had love affairs and created some of the finest American literature to date.3>the three best-known representatives of lost generation are F.Scott Fitzgerald, Hemingway and John dos Passos. Lost generation The Lost Generation is a group of expatriate American writers residing primarily in Paris during the 1920s and 1930s. The group was given its name by the American writer Gertrude Stein, who used “a lost generation” to refer to expatriate Americans bitter about their World War I experiences and disillusioned with American society. Hemingway later used the phrase as an epigraph for his novel The Sun Also Rises. It consisted of many influential American writers, including Ernest Hemingway, F. Scott Fitzgerald, William Carlos Williams and Archibald MacLeish. 2、Iceberg Theory It is a term used to describe the writing style of American writer Ernest Hemingway. The meaning of a piece is not immediately evident, because the crux of the story lies below the surface, just as most of the mass of a real iceberg similarly lies beneath the surface. Iceberg Theory Ernest Hemingway’s “iceberg theory” sugge sts that the writer include in the text only a small portion of what he knows, leaving about ninety percent of the content a mystery that grows beneath the surface of the writing. If a writer of prose knows enough about what he is writing about he may omit things that will have a feeling of those things as strongly as though the writer had stated them. The dignity of

文学术语1

文学术语1、Romance: It is a narrative verse of prose singing knightly adventures or other heroic deeds. Romances are popular in the medieval period. 2Ballad: :A story told in song, usually in four line stanzas, with the 2nd and the 4th lines rhymed. 3、Renaissance--a thristing curiosity for classical literature;--a keen interest in life and human activities. 4、Humanism--individualism; the joy of the present life; reason; the affirmation of self-worth--Humanism emphasizes the dignity of human beings and the importance of the present life. Humanists voiced their beliefs that man was the center of the universe and man did not only have the right to enjoy the beauty of the present life, but had the ability to perfect himself and to perform wonders. 5、Sonnet: : It is a poem of 14 lines that follows a strict rhyme scheme and specific structure; it expresses a single idea or theme. (Thomas Wyatt first introduced it to England) 6、Shakespearean sonnet: : A Shakespearean sonnet consists of three four-line stanzas (called quatrains) and a final couplet composed in iambic pentameter with the rhyme scheme abab cdcd efef gg. 7、iambic pentameter:is a form of rhythm that appears in poetry, songs, and some prose compositions. It is most closely associated with poetry, especially English poetry, which lends itself very well to this particular form of rhythm 8、Blank verse: having a regular meter, but no rhyme. (Henry Howard, Earl of Surrey) 9、Spenserian stanza斯宾塞诗体: : Each stanza contains nine lines in total: eight lines in iambic pentameter followed by a single 'Alexandrine' line in iambic hexameter. The rhyme scheme of these lines is "ababbcbcc." 10、--Sonnet 18 by Shakespeare (“Shall I Compare Thee to a Summer’s Day”): time, mortality, immortality 11、Cavalier poets骑士诗人: --Reflected the royalist values;--Themes: beauty, love, loyalty, morality;--Style: Direct, short, frankly erotic--Motto: “Carpe Diem”“Seize the Day” 12、Metaphysical school:玄学派--the founder of the Metaphysical school: John Donne--conceit: an extended metahpor involving dramatic contrasts or far-fetched comparisons; 13、Enlightenment启蒙运动--an intellectual movement in Europe in the 18th century;--Reason as the guiding principle for thinking and action;--the belief in eternal truth, eternal justice, natural equality ;--a continuation of Renaissance; (Belief in the possibility of human perfection through education). 14、Neo-classicism:新古典主义--A revival of classical standards of order, harmony, balance, simplicity and restrained emotion in literature in the 18th century. 15、Sentimentalism--the middle and later decades of the 18th c.;--definition: passion

英美文学专有名词术语解释

Literary Terms(文学术语解释) *Legend(传说): A song or narrative handed down from the past, legend differs from myths on the basis of the elements of historical truth they contain. *Epic(史诗): 1)Epic, in poetry, refers to a long work dealing with the actions of gods and heroes. 2)Beowulf is the greatest national epic of the Anglo-Saxons. John Milton wrote three great epics: Paradise Lost, Paradise Regained and Samson Agonistes. *Romance(罗曼史/骑士文学): 1)Romance is a popular literary form in the medieval England. 2)It sings knightly adventures or other heroic deeds. 3)Chivalry(such as bravery, honor, generosity, loyalty and kindness to the weak and poor) is the spirit of romance. *Ballad(民谣): 1)Ballad is a story in poetic form to be sung or recited. 2)Ballads were passed down from generation to generation. 3)Robin Hood is a famous ballad singing the goods of Robin Hood. Coleridge’s The Rime of the Ancient Mariner is a 19th century English ballad. *The Heroic Couplet(英雄对偶句):1)It means a pair of lines of a type once common in English poetry, in other words, it means iambic pentameter rhymed in two lines. 2)The rhyme is masculine. 3)Use of the heroic couplet was first pioneered by Geoffrey Chaucer. *Humanism(人文主义):1)Humanism is the essence of the Renaissance. It emphasizes the dignity of human beings and the importance of the present life. 2)Humanists voiced their beliefs that man was the center of the universe and man did not only have the right to enjoy the beauty of the present life, but had the ability to prefect himself and to perform wonders. *Renaissance(文艺复兴):1)It refers to the transitional period from the medieval to the modern world. It first started in Italy in the 14th century. 2)The Renaissance means rebirth or revival. 3)It was stimulated by a series of historical events, such as the rediscovery of ancient Roman and Greek classics, the new discoveries in geography and astrology, the religious reformation and the economic expansion. 4)Humanism is the essence of Renaissance. 5)The English Renaissance didn’t begin until the reign of Henry Ⅷ. It was reg arded as England’s Golden Age, especially in literature. 6)The real mainstream of the English Renaissance is the Elizabethan drama. 7)This period produced such literary giants as Shakespeare, Spenser, Marlowe, Bacon, Donne and Milton, etc. *University Wits(大学才子): 1)It refers to a group of scholars during the Elizabethan age who graduate from either Oxford or Cambridge. They came to London with the ambition to become professional writers. Some of them later become famous poets and playwrights. 2)Thomas Greene, John Lily and Christopher Marlowe were among them. 3)They paved the way, to some degree, for the coming of Shakespeare. *Blank verse(无韵体):1)It is verse written in unrhymed iambic pentameter. 2)It is the verse form used in some of the greatest English poetry, including that of William Shakespeare and John Milton. *Spenserian Stanza(斯宾塞诗节):1)It is the creation of Edmund Spenser. 2)It refers to a stanza of nine lines, with the first eight lines in iambic pentameter and the last line in iambic hexameter(六音步),r hyming ababbcbcc. 3)Spenser’s The Faerie Queene was written in this kind of stanza. *Sonnet(十四行诗)1)It is the one of the most conventional and influential forms of poetry in English.2)A sonnet is a lyric consisting of 14 lines, usually in iambic pentameter, restricted to a definite rhyme scheme.3)Shakespeare’s sonnets are well-known. *Soliloquy(独白)1)Soliloquy, in drama, means a moment when a character is alone and speaks his or her thoughts aloud. 2)In the line “To be, or not to be, that is the question”, which begins the famous soliloquy from Act3, Scene1 of Shakespeare’s Hamlet. In this soliloquy Hamlet questions whether or not life is worth living and speaks of the reasons why he does not end his life. *Metaphysical Poets(玄学派诗人):They refer to a group of religious poets in the first half of the 17th century whose works were characterized by their wit, imaginative picturing, compressions, often cryptic expression, play of paradoxes and juxtapositions of metaphor. *Enlightenment Movement(启蒙运动)1)It was a progressive intellectual movement which flourished in France and swept through Western Europe in the 18th century.2)The movement was a furtherance of the Renaissance from 14th century to the mid-17th century.3)Its purpose was to enlighten the whole world with the light of modern philosophical and artistic ideas.4)It celebrated reason or nationality, equality and science. It advocated universal education. Literature at the time became a very popular means of public education.5)Famous among the great enlighteners in England were those great writers like John Dryden, Pope, Johnson, Swift, Defoe, Fielding, Sheridan, etc. Neoclassicism(新古典主义)1)In the field of literature, the 18th century Enlightenment Movement brought about a revival of interest in the old classical works. This tendency is known as neoclassicism.2)The neoclassicists hold that forms of literature were to be modeled after the classical works of the ancient Greek and Roman writers such as Homer and Virgil and those of the contemporary French ones.3)They believed that the artistic ideas should be order, logic, restrained emotion and accuracy, and that literature should be judged in terms of its service to humanity *Sentimentalism(感伤主义文学)1)It is a pejorative term to describe false or superficial emotion, assumed feeling, self-regarding postures of grief and pain.2)In literature it denotes overmuch use of pathetic effects and attempts to arouse feeling by pathetic indulgence.3)The Vicar of Wakefield by Oliver Goldsmith is a case in point. *The Graveyard School(墓地派诗歌)1)It refers to a school of poets of the 18th century whose poems are mostly devoted to a sentimental lamentation or meditation on life, past and present, with death and graveyard as theams.2)Thomas Gray is considered to be the leading figure of this school and his Elegy Written in a Country Churchyard is its most representative work. *Epistolary novel(书信体小说)1)It consists of the letters the characters write to each other. The usual form is the letter, but diary entries, newspaper clippings and other documents are sometimes used.2)The epistolary novel’s reliance on subjective poi nts of view makes it the forerunner of the modern psychological novel.3)Samuel Richardson’s Pamela is typical of this kind. *Gothic Romance(哥特传奇)1)A type of novel that flourished in the late 18th and early 19th century in England.2)Gothic romances are mysteries, often involving the supernatural and heavily tinged with horror, and they are usually against dark backgrounds of medieval ruins and haunted castles. *Picaresque novel(流浪汉小说)1)It is a popular sub-genre of prose fiction which is usually satirical and depicts in realistic and often humorous detail the adventures of a roguish hero of low social class who lives by his or her wits in a corrupt society. 2)As indicated by its name, this style of novel originated in Spain, flourished in Europe in the 17th and 18th centuries, and continues to influence modern literature. *English Romanticism(英国浪漫主义文学)1)The English Romantic period is an age of poetry. Poets started a rebellion against the neoclassical literature, which was later regarded as the poetic revolution. They saw poetry as a healing energy; they believed that poetry could purify both individual souls and the society.2)The Lyrical Ballads by Wordsworth and Coleridge in 1798 acts as a manifesto for the English Romanticism.3)The Romantics not only eulogize the faculty of imagination, but also stress the concept of spontaneity and inspiration, regarding them as something crucial for true poetry.4)The natural world comes to the forefront of the poetic imagination. Nature is not only the major source of poetic imagery, but also provides the dominant subject matter. *Ode(颂歌)1)Ode is a dignified and elaborately lyric poem of some length, praising and glorifying an individual, commemorating an event, or describing nature intellectually rather than emotionally.2)John Keats wrote great odes. His Ode on a Grecian Urn is a case in point. *Lake Poets(湖畔派诗人)They refer to such romantic poets as William Wordsworth, Samuel Coleridge and Robert Southey who lived in the Lake District. They came to be known as the Lake School or “Lakers”. *Byronic hero(拜伦式英雄): It refers to a proud, mysterious rebel figure of noble origin. With immense superiority in his passions and powers, this Byronic hero would carry on his shoulders the burden of righting all the wrongs in a corrupt society, and would rise single-handedly against any kind of tyrannical rules either in government, in religion, or in moral principles with

美国文学史名词解释

1.American Puritanism清教 2.It comes from the American puritans, who were the first immigrants moved to American continent in the 17th century. Original sin, predestination(预言)and salvation(拯救)were the basic ideas of American Puritanism. And, hard-working, piousness(虔诚,尽职),thrift and sobriety(清醒)were praised. Characteristics: 特点 1. Idealistic: Puritans pursue the purity and simplicity in worship. They focuse the glory of God, and the angry believe in the doctrine of destiny, original sin, limited atonement 2. Practical: Puritans come to Amrican to do business and make profits with the desire of chasing wealth and status. They have to struggle for survival under the severity of the western frontier. 3 .The struggle between the spiritual and the material is the basics of the Puritan mind. On the one hand, Puritans chase the purity of the early the other hand, they come to America to earn money. This contradictory will be reflected by their thoughts. 4. In a word, it rests on purity, ambition, harding work, and an intense struggling for success. Romanticism浪漫主义: the literature term was first applied to the writers of the 18th century in Europe who broke away from the formal rules of classical writing. When it was used in American literature it referred to the writers of the middle of the 19th century who stimulated(刺激)the sentimental emotions of their readers. They wrote of the mysterious of life, love, birth and death. The Romantic writers expressed themselves freely and without restraint. They wrote all kinds of materials, poetry, essays, plays, fictions, history, works of travel, and biography. Transcendentalism先验说,超越论: is a philosophic and literary movement that flourished in New England, particular at Concord, as a reaction against Rationalism and Calvinism (理性主义and喀尔文主义). Mainly it stressed intuitive understanding of God, without the help of the church, and advocated independence of the mind. The representative writers are Emerson and Thoreau. American Realism现实主义: In American literature, the Civil War brought the Romantic Period to an end. The Age of Realism came into existence. It came as a reaction against the lie of romanticism and sentimentalism. Realism turned from an emphasis on the strange toward a faithful rendering of the ordinary, a slice of life as it is really lived. It expresses the concern for commonplace and the low, and it offers an objective rather than an idealistic view of human nature and human experience Local colorism乡土文学: as a trend became dominant in American literature in the 1860s and early 1870s,it is defined by Hamlin Garland as having such quality of texture and background that it could not have been written in any other place or by anyone else than a native stories of local colorism have a quality of circumstantial(详细的) authenticity(确实性), as local colorists tried to immortalize(使不朽) the distinctive natural, social and linguistic features. It is characteristic of vernacular(本国语) language and satirical(讽刺的) humor Naturalism自然主义: American naturalism was a new and harsher realism. American naturalism had been shaped by the war; by the social upheavals(剧变)that undermined the comforting faith of an earlier age. America’s literary naturalists dismissed the validity of comforting moral truths. They attempted to achieve extreme objectivity and frankness, presenting characters of low social and economic classes who were determined by their environment and heredity. Although naturalist literature described the world with sometimes brutal realism, it sometimes also aimed at bettering the world through social reform. Stream of consciousness意识流:It is one of the modern literary techniques. It is the style of writing that attempts to imitate the natural flow of a character’s thoughts, feelings, reflections, memories, and mental images as the character experiences them. It was first used in 1922 by the Irish novelist James Joyce. Those novels broke

中国现代文学史名词解释

名词解释题目录 1.1.文学研究会 1.2.创造社 1.3.语丝社 1.4.美文 1.5.语丝文体 1.6.小诗 1.7.新月诗派 1.8.象征诗派 1.9.春柳社 1.10.《终身大事》 1.11.爱美剧 1 .12.湖畔诗社 1.13.南囤社 1.14.乡土文学 2.1.左联 2.2.社会剖析派小说 2.3.东北作家群 2.4.京派作家群 2.5.新感觉派 2.6.中国诗歌会 2.7.上海艺术剧社 2.8.中国左翼戏剧家联盟 2.9.国防戏剧 3.1.七月诗派 3.2.九叶诗派 3.3.荷花淀派 4.1.“三突出”创作原则 4.2.“根本任务论” 4.3.“黑八论” 4.4.“主题先行论” 5.1.“朦胧诗” 5.2.新写实小说 5.3.“四川诗群” 5.4.“上海诗群” 名词解释题答案 1.1.文学研究会:是中国新文学运动中第一个纯文学团体,成立于1921年1月,发起人有茅盾、周作人、郑振铎、叶绍钧等人,以《小说月报》为阵地,积极倡导文学革命。其主要理论家茅盾提出文学要老老实实表现人生,尤其应描绘被压迫的人民,在创作方法上,他主要提倡现实主义,反对唯美主义和浪漫主义。文学研究会作家的成就,主要表现在小说创作上,如茅盾的《蚀》三部曲、叶绍钧的《倪焕之》,许地山的《缀网劳蛛》、冰心的《超人》等均以对现实的细致描绘、深入剖析,显示出现实主义特色而成为文学研究会这个现实主义文学流派的力作。 1.2.创造社:1921年7月成立于日本,成员主要有郭沫若、郁达夫等,是“五四”以后的一个重要的浪漫主义文学社团。创办《创造》季刊、《创造周报》、《创造日》、《洪水》等刊物,主张“为艺术而艺术”,强调文学必须忠实地表现作者自己“内心的要求”,重视文学的美感作用。创造社成员的作品大都侧重自我表现,带有浓厚的个人主观抒情色彩。 1.3.语丝社:得名于1924年11月在北京创刊的《语丝》周刊,由《语丝》主要撰稿人组成,主要代表人物有周作人、鲁迅、林语堂、钱玄同、孙伏园、俞平伯、刘半农等。它是中国现代文学史上最早以散文创作为主的刊物,主要发表杂感、短评、小品等。语丝社作家的散文创作形成了独具风格的“语丝”文体,这种文体在思想内容上任意言谈,斥旧促新,在艺术上以文艺性短论和随笔为主要形式,泼辣幽默,讽刺强烈。以鲁迅为代表的尖锐泼辣的杂文和以周作人、林语堂为代表的幽雅的小品形成了该社散文创作的两大类,对散文发展有重要影响。 1.4.美文:周作人1921年发表《美文》一文,提倡多写“记述的”、“艺术性”的美文,王统照、胡适等起而应和,冰心、朱自清、郁达夫、俞平伯等进行创作实践,美文作为一种独立的文体的地位遂得以在文学史上确立。 1.5.语丝文体:因语丝社成员创作的具有共同特征的散文而得名。《语丝》发表的主要是散文,在创作上,尽管语丝社同仁的思想和艺术主张不尽一致,但在针砭时弊方面形成了共同的风格:排旧促新,放纵而谈,古今并论,庄谐杂出,简

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