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The Appreciation of She Walks in Beauty Byron is one of the most excellent representatives of English Romanticism and one of the most influential poets of the time. His literary career was closely linked with the struggle and progressive movements of his age. He opposed oppression and slavery, and has an ardent (passionate) love for liberty. He praised the people’s revolutionary struggles in his works. His poems are favorites of the British workers and the laboring people of other countries. Byron’s poems show energy and vigor, romantic daring (bold, brave) and powerful passion. He stands with Shakespeare and Scott among the British writers who exert the greatest influence over the mainland Europe and the Chinese youth greatly. But some critics think many of his lines are harsh (unkind), rugged (rough) and not rhythmical. Some poems show his individual heroism and pessimism.
"She Walks in Beauty” is frequently considered one of his most powerful works.It is an eighteen-line poem, much shorter than Byron's famous narrative poems, like Childe Harold's Pilgrimage or Don Juan. But despite its relative brevity, "She Walks in Beauty" has become one of the most well-known and easily recognized poems written by Byron. It is a lyric poem centering on the extraordinary beauty of a young lady. Lord Byron wrote the poem in
1814 and published it in a collection, Hebrew Melodies, in 1815. As the name of the volume suggests, the poems in that volume were written to be set to music.
On the evening of June 11, 1814, Byron attended a party with his friend, James Wedderburn Webster, at the London home of Lady Sarah Caroline Sitwell. Among the other guests was the wife of Byron’s cousin, the beautiful Mrs. Anne Beatrix Wilmot, who was newly widowed and wore a black mourning gown brighten with spangles. Her exquisite good looks dazzled Byron and inspired him to write “She Walks in Beauty.”
As the title says, She walks in beauty, the main theme of the poem is the description of a lady, the enumeration of certain qualities that the author considers give her beauty. The introduction of the verb to “walk”in the title is important because it gives connotations of advancing, not only in space but also in time. It makes reference to the movement of walking, introducing the reader this way into a reading which is going to be constant through out the entire poem. The poem uses images of light and darkness interacting to describe the wide spectrum of elements in a beautiful woman's personality and looks.
Unlike common love poetry, which makes the claim that its subject is filled with beauty, this poem describes its subject as
being possessed by beauty. This woman does have beauty within her, but it is to such a great degree that she is actually surrounded by it, like an aura. To some extent, her positive attributes create her beauty, and so the poem makes a point of mentioning her goodness, her serenity, and her innocence, which all have a direct causal effect on her looks.
The three six-line stanzas of this poem all follow the same rhyme scheme and the same metrical pattern. There are only six rhyming sounds in this eighteen-line poem because the poem rhymes ababab, cdcdcd, efefef . Oftentimes poets use their poetic structures to mirror what the poem's chief concerns are. Poetic form—stanzas and meter—and content—what the poem's subject is—are almost always related. The meter is also very regular—iambic tetrameter.
The pairing of two rhyming sounds in each stanza works well because the poem concerns itself with the two forces—darkness and light—at work in the woman's beauty, and also the two areas of her beauty—the internal and the external. The rhyming words themselves, especially in the first stanza, have importance: notice how "night" rhymes with its opposites, "light" and "bright," in the same way that this woman contains the two opposing forces in her particular type of beauty.
The first couple of lines can be confusing if not read properly. Too often readers stop at the end of the first line where there is no punctuation. This is an enjambed line, meaning that it continues without pause onto the second line. That she walks in beauty like the night may not make sense as night represents darkness. However, as the line continues, the night is a cloudless one with bright stars to create a beautiful mellow glow. The first two lines bring together the opposing qualities of darkness and light that are at play throughout the three verses. The remaining lines of the first verse employ another set of enjambed lines that tell us that her face and eyes combine all that's best of dark and bright. No mention is made here or elsewhere in the poem of any other physical features of the lady.
The focus of the vision is upon the details of the lady's face and eyes which reflect the mellowed and tender light. She has a remarkable quality of being able to contain the opposites of dark and bright. The third and fourth lines are not only enjambed, but the fourth line begins with an irregularity in the meter called a metrical substitution. The fourth line starts with an accented syllable followed by an unaccented one, rather than the iambic meter of the other lines, an unaccented syllable followed by an accented one. The result is that the word "Meet" receives attention, an emphasis.
The lady's unique feature is that opposites "meet" in her in a wonderful way.
The second verse tells us that the glow of the lady's face is nearly perfect. The shades and rays are in just the right proportion, and because they are, the lady possesses a nameless grace. This conveys the romantic idea that her inner beauty is mirrored by her outer beauty. Her thoughts are serene and sweet. She is pure and dear. The last verse is split between three lines of physical description and three lines that describe the lady's moral character. Her soft, calm glow reflects a life of peace and goodness. This is a repetition, an emphasis, of the theme that the lady's physical beauty is a reflection of her inner beauty.
Lord Byron greatly admired his cousin's serene qualities on that particular night and he has left us with an inspired poem. Before you go any further, we should warn you: "She Walks in Beauty" is not a love poem. Sure, it's a celebration of a woman's beauty, but the speaker never says he's in love with her. He just thinks she's really, really gorgeous. The poem is about an unnamed woman. She's really quite striking, and the speaker compares her to lots of beautiful, but dark, things, like "night" and "starry skies." The second stanza continues to use the contrast between light and
dark, day and night, to describe her beauty. We also learn that her face is really "pure" and "sweet." The third stanza wraps it all up –she's not just beautiful, she's "good" and "innocent," to boot. The theme of the poem is the woman's exceptional beauty, internal as well as external. The first stanza praises her physical beauty. The second and third stanzas praise both her physical and spiritual, or intellectual, beauty.
Byron presents an ethereal portrait of the young woman in the first two stanzas by contrasting white with black and light with shadow in the same way that nature presents a portrait of the firmament—and the landscape below—on a cloudless starlit evening. He tells the reader in line 3 that she combines “the best of dark and bright” (bright here serving as a noun rather than an adjective) and notes that darkness and light temper each other when they meet in her raven hair. Byron's words thus turn opposites into compeers working together to celebrate beauty.
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英语美文欣赏带翻译
Friends or 'Enemies?' When I was younger, my Dad used to tell me: "Boys don't want to be your friend." He then left the rest to my imagination. At the time, I didn't agree. I thought: I can crack a good joke, I know how to shoot a hoop, and I'm a cheerful person (but not in an annoying way). What kind of boy wouldn't want to be around that kind of girl? Turns out, my Dad was right. Not to be all "Samantha Brick" about it, but in my experience, single, heterosexual men aren't actively looking for an exclusively platonic relationship with a woman they find sexually attractive. This of course is not a revolutionary concept. In fact, it seems pretty natural to me. Now, I will be the first to say that it is really and truly the most wonderful thing in the world if the attraction is mutual. But the Powers That Be seem to like to play these complicated little mating games with humans where the guy we want to re-enact scenes from 9? Weeks with sees our attractiveness level as akin to that of a discarded dishcloth, and the most physical we could see ourselves being with the guy who actually likes us is a game of ping pong over an especially long table. All of which means that someone usually ends up getting rejected. I'm sure I'm not alone when I say I have struggled with the scenario where I am not interested in a man romantically, but I want to keep him as a friend because he is funny and I enjoy his company, or he has shown himself to be that rare specimen known as "a nice, genuine person, " or he simply doesn't mention his therapist in every other sentence. Rather than string him along and give him hope, I feel compelled to somehow communicate to him sooner rather than later that we'll just be staying friends, nothing more. Otherwise, I think I am being unfair to him. Why should he waste his romantic stamina on me when there are loads of other single women out there who might fall instantly in love with him? The thing is, it can sometimes be tricky to reject a man and keep him as a friend. If the operation is not executed carefully, you may end up creating a "menemy." It requires a certain amount of skill to be able to turn down a man's sexual advances or romantic gestures and then get him to agree to meet you for blueberry pancakes the following weekend and chat about the latest Woody Allen film. Some men aren't satisfied with just that. I'm not clear why. What's so bad about friendship? Everyone needs buddies. But I've seen men react poorly or simply fall off the face of the earth. I get it -- their feelings are hurt. None of us likes getting rejected. But in my experience, some men find it especially soul-crushing. I am only bringing all of this up because I recently had to go through this scenario again. I had spent some time cultivating a friendship with a man who, in my defense, I thought was gay. So I didn't see the harm in him buying me the occasional falafel, or accepting an invitation to see a film with him. Isn't that what friends are for? But a mutual friend shed light on his sexual orientation (straight) and suggested that his intentions -- and attentions -- weren't platonic. He had never "made the moves" but now it was all crystal clear -- that explains the way he had looked at me that time the tahini sauce dribbled down my chin! Since he had clearly been too timid to express his feelings, I thought I would be clever this time and subtly mention the dates I had been going on, focusing on the one guy I was kind of keen on, so that he would know that I was "unavailable" for heavy petting and those sorts of activities, but that I was available for things like roller skating, falafel-eating and shooting the breeze. Doesn't that sound nice? That way, he would known not to try to lean in for a kiss, and I wouldn't have to pull the Stevie Wonder dance and dodge him went he went for it. It was like pre-rejection, yet I was sparing his feelings because he didn't even have to put himself out there! I really thought I was being brilliant. It backfired, of course. Said man ended up sending me an email rant accusing me of being insensitive by talking about other men when he had "feelings for me." As if I am psychic, by the way, just because I am a woman! How was I supposed to know that? I think in his mind we were dating. In my mind, he was my new gay BFF. In the end, I got mad at him for getting mad at me, and now the friendship has ended. And I have created yet another "menemy." Look, I have also tried the direct thing: "I really like you, but only as a friend, " but you can only do that when the guy has made his intentions clear, and in my experience, they either cope okay (though rarely do I feel much enthusiasm for friendship after that), or they really don't cope well. I also tried the thing where you make them think they are rejecting you, but it gets quite confusing and only works if the guy isn't very sharp, and why would I -- or you -- be hanging out with someone not that sharp in the first place? As we all remember, Billy Crystal's character says men and women can't be friends in When Harry Met Sally because the sex stuff gets in the way. I do have single, male, heterosexual friends with whom I have an easy, non-romantic rapport, but I honestly don't know if they would walk away if I was sprawled naked on a bed calling out to them. I may not be everybody's cup of tea, but sometimes, I wonder if they wonder. And they may wonder if I wonder. If so, I hope they'll keep it to
英文歌曲赏析
Introduction of someone’s watching over me Name：胡旭 Class：计算机113 Student ID：1110210071 Someone’s watching over me is a song recorded by American singer Hilary Duff for her self-titled third studio album in 2004. Hilary Erhard Duff is a woman of many talents for she is an American actress, singer-songwriter, entrepreneur, model, producer and author. She starts her entertainment career at pretty young age. In fact, this song is written for the film raise your voice in which Duff stars.In the movie, which is set at a performing arts summer school, Duff's character, Terri, writes the song with her fellow student Jay, played by Oliver James, and performs it at the film's climax in front of the students, staff and parents.Musically, "Someone's Watching Over Me" is a moderately paced pop song, moving at a tempo of 78 beats per minute. What impress me most is its lyric from which I realize that no matter what happens in life, hold on and keep going forward for there is always someone watching over you and back you up. Life is full of happiness as well as dilemma, all one can do is to enjoy what makes him laugh and go through what makes him suffer. Remember that someone is always accompanying you. This is really a thought-provoking song. In the different period of one’s life,
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精选优秀经典的英语诗歌 【导语】英语在诗歌方面还有很多参考的，下面就由苏阳文斋给大家分享一下精选优秀经典的英语诗歌，大家一起来看看吧！ 【篇一】精选优秀经典的英语诗歌 Is Heaven a Physician? Is Heaven a Physician? Is Heaven a Physician? They say that He can heal - But Medicine Posthumous Is unavailable - Is Heaven an Exchequer1? They speak of what we owe -
But that negotiation I’m not a Party to - 【篇二】精选优秀经典的英语诗歌 A throe upon the features A throe upon the features - A hurry in the breath - An ecstasy1 of parting Denominated “Death” - An anguish2 at the mention Which when to patience grown, I’ve known permission given
To rejoin its own. 【篇三】精选优秀经典的英语诗歌 Annunciation He has come from the garden, leaving no shadow, no footprint in the dew: They hold each other's gaze2 at the point of balance: everything streaming towards this moment, streaming away. A word will set the seed of life and death, the over-shadowing of this girl by a feathered dark.