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罗密欧与朱丽叶两篇英文读后感

罗密欧与朱丽叶两篇英文读后感
罗密欧与朱丽叶两篇英文读后感

In the present drama, we often hear the phrase "children are innocent", it can be the story is often the last, the child's fate is the most tragic. To the family interests, Romeo and Juliet with a loss, in desperation, the choice of relief. Driven by a love them to death forward, the situation urging them to abandon the family together Tian, Qiu was doomed to the fate of their repulsion, pain hidden behind the number of helpless ah. Romeo and Juliet's story is not just a drama, it must also be a portrayal of real life at that time, too much control over becoming countless helpless, this is love to bring people to unforgettable memories.

Love is a minor child the parents of the most taboo thing, love is the young men and women most want to have things, love is a very old looking to accompany grateful when things. It plays many roles, it can be tragic comedy director can also be planners; it can be a poison can also be a honey, no one can touch the penetration it. Once the jump into the trap of love, like arrows no longer beyond recovery to Li Xian, but stubbornly toward their own goals and flew ignore distance, straight through the air, finally landing. After landing there are two

possibilities: one is intact reach the target, and the other is because for some reason, broken wings ... ...

Clearly, Romeo and Juliet's love of the Arrow has been folded pieces, spoilers powerful as if the lightning can be split pine and cypress. Do not think that love can be a strong long-term, once it is detrimental to the interests of third parties, then this situation will surely be forced to break up the danger. Regardless of whether they are innocent, no matter how they resist the background of the story had been foreshadowing for their outcome. Their tragic do? Perhaps, because they could not spend the old to learn, but the roots of premature death, perhaps not, because they find a final part of his own the other half.

A wonderful end of the story, usually in comedy ended, readers read they are happy and can be seen in a few days later it will be forgotten. If a story ends in tragedy, then it must be something left in the readers mind, or regret, or pity, so that the reader repeatedly chew and thought. People are the pursuit of perfection. At the same time, people also praise the beauty of defects, it seems a contradiction, but not does not seem contradictory.

"Romeo and Juliet" is a tragedy, as I wrote above, it left

in my mind what I said sure, and perhaps regret that bar ... ...

Love more than big, but smaller than life!

Shakespeare shows his dramatic skill freely in Romeo and Juliet, providing intense moments of shift between comedy and tragedy. Before Mercutio's death in Act three, the play is largely a comedy. After his accidental demise, the play suddenly becomes very serious and takes on more of a tragic tone. Still, the fact that Romeo is banished, rather than executed, offers a hope that things will work out. When Friar Lawrence offers Juliet a plan to reunite her with Romeo the audience still has a reason to believe that all will end well. They are in a "breathless state of suspense" by the opening of the last scene in the tomb: If Romeo is delayed long enough for the Friar to arrive, he and Juliet may yet be saved. This only makes it all the more tragic when everything falls apart in the end.

Shakespeare also uses subplots to offer a clearer view of the actions of the main characters, and provide an axis around which the main plot turns. For example, when the play begins, Romeo is in love with Rosaline, who has refused all of his advances. Romeo's infatuation with her stands in obvious contrast to his later love for Juliet. This provides a

comparison through which the audience can see the seriousness of Romeo and Juliet's love and marriage. Paris' love for Juliet also sets up a contrast between Juliet's feelings for him and her feelings for Romeo. The formal language she uses around Paris, as well as the way she talks about him to her Nurse, show that her feelings clearly lie with Romeo. Beyond this, the sub-plot of the Montague-Capulet feud overarches the whole play, providing an atmosphere of hate that is the main contributor to the play's tragic end.

Shakespeare uses a large variety of poetic forms throughout the play. He begins with a 14-line prologue in the form of a Shakespearean sonnet, spoken by a Chorus. Most of Romeo and Juliet is, however, written in blank verse, and much of it in strict iambic pentameter, with less rhythmic variation than in most of Shakespeare's later plays. In choosing forms, Shakespeare matches the poetry to the character who uses it. Friar Lawrence, for example, uses sermon and sententiae forms, and the Nurse uses a unique blank verse form that closely matches colloquial speech. Each of these forms is also moulded and matched to the emotion of the scene the character occupies. For example, when Romeo talks about Rosaline earlier in the play, he uses the Petrarchan sonnet form. Petrarchan sonnets were

often used by men at the time to exaggerate the beauty of women who were impossible for them to attain, as in Romeo's situation with Rosaline. This sonnet form is also used by Lady Capulet to describe Count Paris to Juliet as a handsome man. When Romeo and Juliet meet, the poetic form changes from the Petrarchan (which was becoming archaic in Shakespeare's day) to a then more contemporary sonnet form, using "pilgrims" and "saints" as metaphors. Finally, when the two meet on the balcony, Romeo attempts to use the sonnet form to pledge his love, but Juliet breaks it by saying "Dost thou love me?" By doing this, she searches for true expression, rather than a poetic exaggeration of their love. Juliet uses monosyllabic words with Romeo, but uses formal language with Paris. Other forms in the play include an epithalamium by Juliet, a rhapsody in Mercutio's Queen Mab speech, and an elegy by Paris. Shakespeare saves his prose style most often for the common people in the play, though at times for other characters, such as Mercutio.

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罗密欧:朱丽叶,凭着这一轮皎洁的月亮,它的银光涂染着这些果树的梢端,我发誓—— Romeo: juliet, With this round of bringing a moon, it's silver cov er these fruit tree's top, i promiss 朱丽叶:啊!不要指着月亮起誓,它是变化无常的,每个月都有盈亏圆缺;你要是指着它起誓,也许你的爱情也会像它一样无常。 juliet: oh, dont swear with the moon, it change often, every mon th has it's own wax and wane; if you swear with it, your love wil l be like it perhaps? 罗密欧:那么我指着什么起誓呢? Remeo: then what should i swear with?? 朱丽叶:不用起誓吧;或者要是你愿意的话,就凭着你优美的自身起誓,那是我所崇拜的偶像,我一定会相信你的。 Juliet: no need to sear; or if u wish, then swear with your own g raceful, that's the idol i adore, i will believe in you for sure. 罗密欧:要是我的出自深心的爱情—— Romeo: i swear from the bottom of my heart 朱丽叶:哦,好了,别起誓啦。我虽然喜欢你,却不喜欢今天晚上的密约;它太仓卒太轻率、太出人意外了,正像一闪电光,等不及人家开一声口,已经消隐了下去。好人,再会吧!这一朵爱的蓓蕾,靠着夏天的暖风的吹拂,也许会在我们下次相见的时候,开出鲜艳的花来。晚安,晚安!但愿恬静的安息同样降临到你我两人的心头! Juliet: oh, forget it, don't swear, althought i love you, but didn't like tonight's date; its too rush and surprised, it's like a bolt of li ghtning, cant even wait before i say something, its already gone. goodbye love! this is a love's bud, with the warm wind blow of summer, perhaps next time when we meet, it will bloom a colour

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3.When you harbor bitterness, happiness will dock elsewhere. 当你遭遇苦难,幸福总会在某处停靠。 4.Honestly I don’t have time to hate people who hate me, because I’m too busy loving people who love me . 说实话,我没时间去讨厌那些讨厌我的人,因为我在忙着爱那些爱着我的人。 5.The biggest enemy in love is not the intruder but the time. 在爱情中,我们的最大敌人不是第三者,而是时间。 6.May your love soar on the wings of a dove in flight. 愿你的爱乘着飞翔的白鸽,展翅高飞。 7.She who has never loved, has never lived. 人活着总要爱一回。 8.Life is the flower for which love is the honey. 生命如花,爱情是蜜。 9.No words are necessary between two loving hearts. 两颗相爱的心之间不需要言语。

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的很好,没让家里担心,但是自己无疑是痛苦的。所以说太过理智的女孩子是很难让人心爱的,因为她令人心疼。 相反,妹妹玛丽安,一个对爱情充满着浪漫的幻想,认为人生如果没有一场浪漫的爱情是不圆满的。在她与威洛比的爱情中,她把自己所有的感情都给了他,在得知自己被抛弃后,她陷入了难以自拔的境地中,整日避开人群,躲在角落里。对于一个浪漫的女孩来说,现实无疑能使她快速成长,只有经历过痛苦,才能意识到这个世界不是她心中的象牙塔。威洛比这个人一直游手好闲,大手挥霍,最后迫于破产的压力,娶了一个有财产的姑娘。他也只不过是有一副漂亮的外表,内心却是空乏的。 故事里的所有人的人生,都是自己选择的,而他们的价值观却是在这个社会大环境的熏陶中渐渐形成的,我们是该谴责他们的无情与虚伪还是该同情他们呢?理智与情感,到底该如何选择的? 英国学者沃尔波尔有句名言,“这个世界,凭理智来领会是个喜剧,凭感情来领会是个悲剧。”单就这部小说而言,它无疑是切合主题的,但是现实生活中我却是无法苟同的。如果生活只能靠理智的约束,缺乏一时冲动的激情,那么生活会失去很多乐趣。人的生命不在于长短,在于是否痛快活过。三毛也说过,“等我长大了,我要做个拾破烂的……拾荒人眼底下的垃圾场是世界上最抚媚的花园。因为这种职业,

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